Guild Beginner
Member
So, I've had this thing since about November, but I'm just now getting around to putting up pictures. Every time I thought about photographing it, I ended up playing it instead. This is a boutique amplifier I commissioned from Verellen Amplifiers in Seattle. Ben Verellen is a really cool amp maker and possibly even a cooler guy. We're friendly (now), but I am in no way affiliated.
I put quotations around "Clone", because this isn't an exact replication, but most of it is the same as the original early-sixties Gibson design, which is often considered one of the greatest amps ever created. I thought about just buying an original, put I don't much cotton to ebay, and I am aware the fifty-year-old cabinets can be a bit delicate.
So, the cabinet for this one has slanted baffles instead of the full-on wedge shape. The grills are removable so you can access the tubes, which face out from the chassis. Cool design. It can get a little warm, but I've played it for hours and hours without issue. Otherwise, the main difference between this amp and the original is that the tremolo and reverb are on separate sides of the amp. This being a "stereo" (dual mono) amp, it has two 15W circuits playing out of separate speakers (ten inch Weber clones of the original Jensen alnicos). Ben and I tried it the standard way, which was to have one totally "dry" and one "wet" channel, but we both preferred to have the effects split. It sounds fuller and can get more spacey. It's less restrained than the jazzy original, I think. We also simplified the controls and took out the multiple inputs. Just one per channel. I didn't want too much cluttering the controls.
The whole thing really sounds great. It's my favorite amp I've ever played out of, hands down. The birch laminate enclosure resonates a good deal, so it has a great woody quality. The laminate is a nice midpoint between solid wood and composite cabinets. I find playing and singing solo with this amp is almost like having a second band member because it has such a great presence. Anyway, I like it. Ben took it to a business meeting with Mike Soldano just after he finished it, and I guess Mike was pretty impressed when he played out of it, and it's kind of fun to have that history.
ps:Ben left on the original RCA inputs down on the chassis next to the hidden power switch, and this is a not bad (though expensive) iPod player.
I put quotations around "Clone", because this isn't an exact replication, but most of it is the same as the original early-sixties Gibson design, which is often considered one of the greatest amps ever created. I thought about just buying an original, put I don't much cotton to ebay, and I am aware the fifty-year-old cabinets can be a bit delicate.
So, the cabinet for this one has slanted baffles instead of the full-on wedge shape. The grills are removable so you can access the tubes, which face out from the chassis. Cool design. It can get a little warm, but I've played it for hours and hours without issue. Otherwise, the main difference between this amp and the original is that the tremolo and reverb are on separate sides of the amp. This being a "stereo" (dual mono) amp, it has two 15W circuits playing out of separate speakers (ten inch Weber clones of the original Jensen alnicos). Ben and I tried it the standard way, which was to have one totally "dry" and one "wet" channel, but we both preferred to have the effects split. It sounds fuller and can get more spacey. It's less restrained than the jazzy original, I think. We also simplified the controls and took out the multiple inputs. Just one per channel. I didn't want too much cluttering the controls.
The whole thing really sounds great. It's my favorite amp I've ever played out of, hands down. The birch laminate enclosure resonates a good deal, so it has a great woody quality. The laminate is a nice midpoint between solid wood and composite cabinets. I find playing and singing solo with this amp is almost like having a second band member because it has such a great presence. Anyway, I like it. Ben took it to a business meeting with Mike Soldano just after he finished it, and I guess Mike was pretty impressed when he played out of it, and it's kind of fun to have that history.
ps:Ben left on the original RCA inputs down on the chassis next to the hidden power switch, and this is a not bad (though expensive) iPod player.