G-41??

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So this is my first time on LTG, Glad this was site was started.
I'm looking for information on The G-41 (oversized Dread)
a freind is looking to sell one and I cannot find much of anything, except what the Guild book offers.
I do have pictures if it would help any one.
How rare are these things? Has any body seen them on the market?
If only three dozen were made, how many could be still around? 20? (that's Rare)
Has any one seen a price tag on one?
Thank's
 

GardMan

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Welcome to LTG, Nature Boy!
The only info I could offer re: the G-41 specs would be straight out of Hans Moust's "The Guild Guitar Book" (oversize dread with spruce top, mahogany back and sides). Appointments look similar to the D-40 of the same era. In two years of watching eBay, I recall seeing only 2 auctions for G-41s (and it may have been the same instrument).
Dave
 

hansmoust

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nature boy said:
So this is my first time on LTG, Glad this was site was started.
I'm looking for information on The G-41 (oversized Dread)
a freind is looking to sell one and I cannot find much of anything, except what the Guild book offers.
I do have pictures if it would help any one.
How rare are these things? Has any body seen them on the market?
If only three dozen were made, how many could be still around? 20? (that's Rare)
Has any one seen a price tag on one?
Thank's

Hello nature boy,

Welcome! Have been looking at Guild guitars for quite a few years but haven't seen that many myself; maybe ten at the most but that in itself doesn't mean much. They're pretty rare!

Here's a photo of Mark Wright in the Guild repair shop, strumming Richie Havens' personal G-41.

MarkWright_1.jpg


Would love to see photos of the one you're interested in.

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

FNG

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These have a 17 inch lower bout and a little longer scale, correct?
 
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Hi Hans,
It has been a long time since we last spoke. I worked with Mark (Two) at the Guild
with the rest of the guys in the late 90's. That picture takes me back. I do have some pictures of the factory if you could use them?
Will PM you.
Yes, 17" lower bout. I will mesure scale for records.
Post pictures tonight.
 

workedinwesterly

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Hi,

This is my first posting.

That picture of Mark brings me back as well, the disheveled look of his bench...very common appearance in the westerly repair department.
Note how mahogany blocks were placed under the feet of the bench to raise it for him ! I seem to remember that my bench had the feet cut down, it was either one or the other.

In my time at the factory i saw probably 2 or 3 G41's. Not a very popular model. They didn't seem to have any more volume than the standard D40's.
As to value..i gotta believe it's the same ballpark as a D40.
 

capnjuan

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Hi workedinwesterly and welcome to LTG; what did you do when you worked there? I'm sure Hans would love to see your pics ... and so would we! CJ
 

workedinwesterly

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Hello Capnjuan,
Between the two of us, head of repair and plant engineer. Fifteen years in repair and six years as engineer. We saw it all. Hi Hans.
 

capnjuan

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Hi WiW: I hope there will be lots of chances for you to share not just too-cool-for-words stories of shop-life from back in the day, but how to fix, adjust, repair, or otherwise help us all keep our instruments playing and sounding their best ... or ... to give it up when we're over our heads and need to take something to the shop. Again, welcome! CJ
 

workedinwesterly

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capnjuan

willing to do whatever we can, mostly want to dispel rumors and the many misconceptions that abound in guild-land.

Good to hear from Hans....How's AG100009 ?
 

workedinwesterly

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Hello Hans,
Yes i do still have it talk to you soon
 
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workedinwesterly said:
Between the two of us, head of repair and plant engineer. Fifteen years in repair and six years as engineer. We saw it all.

Well, welcome everone.
I do belive that workedinwesterly has hijacked my thread.
Sure that we worked together in that messy repair shop. Lots o magic happned in that room.

as soon as I figure out how to post some shots I'll get them up on LTG so we all could walk down
memory lane together. LOL, natureboy
 

GuildFS4612CE

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Welcome guys, the more the merrier. :D

You need a web host account like photobucket to add pics here.

Or you might be able to send them to Don or Hans or someone with 'privileges' here to post them for you. :mrgreen:

I'll have to post a pic of my FS4612CE to see if you Westerly guys remember her...if you were there in the early 80's when I presume she was born...after I get her back from the magic luthier...her antique custom factory dual mag PU/transducer electronics have decided to retire... :lol: :lol: and he's trying to figure out what on earth to use, in between working on famous people's instruments...and I'm not famous...she's been there more than two months. :roll: But he's GOOD. :mrgreen: She was supposed to have been custom made for somebody famous, whose name eludes me at the moment, AND, I don't care...shes MINE now. :p :D
 

workedinwesterly

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Hi Guildfs4612ce

i know the model well. Early 80's guild answer to the gibson chet atkins

If your guitar has a mag pickup, it was most likely not done at the factory.

that guitar probably had an early barcus berry transducer with a japanese preamp. Or it could have an early fishman preamp and transducer.
depending on the time frame it has the single or 3 piece piezo pickup in a u'shaped metal channel. the saddle is 1/4" wide.
Best bet for your luthier is to throw away the transducer and preamp, fill the slot in the bridge, recut it for a new saddle and replace everything with a modern pickup of your choice. That technology has come a long way since that guitar was built.

send a pic when you can.
 

Scratch

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GuildFS4612CE said:
Welcome guys, the more the merrier. :D

You need a web host account like photobucket to add pics here.

Or you might be able to send them to Don or Hans or someone with 'privileges' here to post them for you. :mrgreen:

I'll have to post a pic of my FS4612CE to see if you Westerly guys remember her...if you were there in the early 80's when I presume she was born...after I get her back from the magic luthier...her antique custom factory dual mag PU/transducer electronics have decided to retire... :lol: :lol: and he's trying to figure out what on earth to use, in between working on famous people's instruments...and I'm not famous...she's been there more than two months. :roll: But he's GOOD. :mrgreen: She was supposed to have been custom made for somebody famous, whose name eludes me at the moment, AND, I don't care...shes MINE now. :p :D

Jane,
I'm concerned about the lack of humidity there and its effect on that instrument. I know a place in Texas with just the right humidity... Just say when and I'll send the shipping address... mrgreen:
 

GuildFS4612CE

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workedinwesterly said:
Hi Guildfs4612ce

i know the model well. Early 80's guild answer to the gibson chet atkins

If your guitar has a mag pickup, it was most likely not done at the factory.

that guitar probably had an early barcus berry transducer with a japanese preamp. Or it could have an early fishman preamp and transducer.
depending on the time frame it has the single or 3 piece piezo pickup in a u'shaped metal channel. the saddle is 1/4" wide.
Best bet for your luthier is to throw away the transducer and preamp, fill the slot in the bridge, recut it for a new saddle and replace everything with a modern pickup of your choice. That technology has come a long way since that guitar was built.

send a pic when you can.

Thanks for the info WIW. I've already told him I want to start from scratch. As the guitar already has the dual system, even though it's basically a solid body, the existing wiring can be used to pull through the new wiring...at least that's my opinion as a lady who doesn't know how to do that kind of men's work... :lol: ...wish I did, though...but boy's clubs don't like us ladies hanging around.

The existing set up is apparently a modified Fishman AGP-2 where the stacked controls are gain/volume for the PU and Transducer and the single control is a tone. The old preamp is a 9 volt. The PU, set in the fake 'soundhole' might be an EMG, haven't had it apart to check. The saddle in the bridge is a compensated wood, appears rosewood, like you would find in a jazz guitar. Don't know what's under it. Bridge also rosewood. It's supposed to have been ordered that way from the factory and doesn't appear to have been molested. The serial number is a low one. Color Black, by the way.

I've had it for a few years and there's always been a problem with the sound. Very unbalanced, bass heavy. Luthier tried in the past to come up with something compatible with the PU but the transducer always overpowered it. The PU only functioned when the gain was maxed out...essential on or off. Now it's completely off. The transducer still works. But pretty much almost bass feedback. The tone control does work but even maxed to treble it's still bass heavy. I'm just a fingerpicker so it's not the attack. The luthier said on those fishman set-ups the controls are pre-set and attached directly to the pc board so there wasn't that much he could do. Now he wants to see what is new on the market since last he checked. He came up with a solution for one of the old AGP-2 set-ups for someone else to repair the thing. But, like you, I want the modern improved sound. She's such a nice old guitar.

Now that I'm trying to modernize it, it's a case of what will fit in the existing compartments. I really want balanced sound...string to string, overall, and the ability to control the mix of PU/transducer. And I hate piezo QUACK. Since he's so busy, I'm trying to do some research on my own. So far I've noticed that Bartolini has some kind of preamp/pot/blender set up, Baggs has something, maybe it's Ctrl-x that with active piezo and passive mag, and d-tar has something besides that endpin setup, that uses the 18 volt system supposedly to increase the headroom and avoid the quacking, and has a blender control of some kind. One thing I've learned visiting winter NAMM alot and rummaging around down in Hall E checking out all the new smaller stuff is that advertising is one thing, reality is another. And everyone has a different opinion of everyone else's gear.

So, in your opinion, what of the newer electronics would work on this guitar? I could pass that on to the luthier. He won't be offended. He just doesn't have the time to do all the research. That's what happens when you're good. I'm willing to do some of the legwork here and then he can check it out and see what he thinks will fit the situation best. IF you can point me in the right direction, I'll collect the info and write it down.

Since it's basically a solidbody, the popular arguments here about transducers and how they contact the soundboard won't be as much of an issue. I just want good clean controllable no feedback no hum tone and I don't want to be the 'ground' when I'm playing. :mrgreen: And I use mostly the PU with a bit of transducer blended in for color and body.

I'll be checking in on her Friday or Saturday and I'll bring my little digi camera along and take her out back to take some pictures for you.

Thanks for any help or advice you can give.

PS: Kenny, thanks for the kind offer. The shop is climate controlled, so she's happier there than in my room. :D But I do have that nice Bluesbird Setzer model available to a nice home...she's in FS/FT. :lol: :D
 
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