Adding DTAR to a Guild

jrporter

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I was wondering if any/many have added DTAR to a Guild acoustic. Pros, cons, experiences, etc.....
 

gilded

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If you do a search under DTAR, you'll find 280+ matches.

There are also different DTAR systems, preamps, etc.

The DTAR Lock 'n Load system has been available on NOS Guilds for several years. It has a preamp affixed to a plastic tube that holds batteries inside it, with a large metal 'turning collar' on the outside of the guitar. When you take the collar off (by unlocking it in a twisting fashion), the batteries can slide out. There is a volume and tone control that mounts under the edge of the sound hole.

The pickup element is an under saddle piezo. A lot of folks here prefer the sound of other pickups, like the K&K brand products. Usually, the people who like 'other products' better, don't like under saddle transducers (UST).

Personally, I like and admire the DTAR sound. It is the best UST I've ever used, bar none. Why? No piezo quack. The guitar sounds very clear with no coloration. It works better than a lot of pickups and microphones in venues where you have to play louder than your 'average coffee shop with 12 audience members sitting in straight-back wooden chairs gig'. That doesn't mean that a K&K pickup (I've never heard one in person, by the way) wouldn't sound better in a small venue, or in an A/B comparison in a small room, etc. It just means that I think that UST guitars are the way to go in the environment that I would use a guitar in.

By the way, jrporter, you should trust me completely. I'm a professional and have made tens of dollars this year alone, playing music. :lol:

The Lock 'n Load system is slightly heavy, plus it puts the weight near the butt end of the guitar, which bothers some people. Since Guild guitars are slightly heavy anyway, well, it all adds up, doesn't it?

If I were you and wanted some advice about pickups in this forum, I would describe what you need/want a pickup for. You know, what guitar, what size/type of gig; in a bar, in a church (small, large, sophisticated sound crew, or just one volunteer sound man who fixed the lights in the deacon's office last year), outdoor, indoor (small, medium, large rooms), solo act, duo, trio, string band, rock band, front man for a tuba ensemble, whatever.....

By the way, I noticed that you have a D55 with a DTAR for sale here. I had an '07 D55 DTAR guitar and loved it. I played about 20 gigs with it. I would still have it if the slightly slender neck shape had been a bit more conducive to my 57 year old hands. If you wind up keeping the guitar, I think the DTAR pickup will work for you, should you need it. It is a superior product.

One thing, the default factory preamp settings boost some of the frequecies (can't remember! Maybe, bass and treble?). I didn't like that and had my luthier loosen the system and move the basic settings to flat. In all candor, I was able to accomplish the same thing by pulling bass and treble off the tone controls on the PA head I used, but I like the idea of having the controls flat.....

Good luck with your sale, and good luck using the DTAR if you wind up keeping the guitar.
 

alpep

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i have a d tar in my d 40 and love the sound.
the "weight" does not bother me. I mean it must be OUNCES......


if I were to add a pickup I would go with the k & K pure western mini. I have sold that pickup to several customer and had the opportunity to listen to their guitars and thought they were GREAT. very natural very live
 

jrporter

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Gilded: I know how the DTAR works and am pleased with its performance in my D55. I love the D55, but prefer a smaller bodied guitar; and that's why I've decided to sell her. I ordered a GAD 30R and was wondering if the DTAR would be a good system to install in it or if there was a more desirable pickup/preamp I should be looking at. I play mostly for my own enjoyment, and the occasional open mic.
 

gilded

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jrporter,

I think if you are pleased with it's performance, you'll like it on a small guitar, too. There are some other DTAR alternatives that you can see at the DTAR.com site.
 
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I have a B-Band A2.2 in my D50 and a B-Band A2 in my F30-12. Both are dual source (UST and Soundboard Transducer) systems. The A2.2 is simpler to use, since it has sound hole mounted volume and blend controls (actually a control to emphasize one source or the other.) The A2 uses a stereo cable to send the two signals back to a mixer (or separate tracks if you're recording) where you have complete control over the mix and even special affects for each transducer.
 
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