New here. I just can't help it. Whenever I play a 6 stringer now, they just sound thin or something. Its a disease I guess........or tonal affliction maybe? Kidding, but joined up to talk with Guild fans and hopefully get some confirmation of what I think I've been hearing all these years. What I think when I hear a Guild 12'er is that Guilds have this very broad middle-range sort of tone that is neither too bright nor too bassy------just VERY broad with a distinct attention grabbing punch. That's what I hear and I just love it. The Taylors I have played seem too bright to me although they are very sensitive and seem to make sound if you breath on them the right way. I have never had the pleasure to play a Guild 12'er but have played a few Martin 12s and one Larrivee and they were nice but didn't really grab me with their tone, but they do seem very solid and robust. Guilds just seem to have a unique tone that touches all the buttons.
Anyway, what I would really like to know is whether or not there are any structural differences between the american Guilds and the GAD series Guilds? I don't expect I'll be able to afford an american one but an antique burst GAD JF30-12 would be about right I think, provided they are "guild" enough ya know? Thanks all.
Anyway, what I would really like to know is whether or not there are any structural differences between the american Guilds and the GAD series Guilds? I don't expect I'll be able to afford an american one but an antique burst GAD JF30-12 would be about right I think, provided they are "guild" enough ya know? Thanks all.