Guild Jumbos versus Gibson Jumbos

devellis

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Well, I hit a couple of big-box guitar stores today (Sam Ash and Guitar Center). Not a Guild in sight, but they did have a couple of maple Gibson jumbos, a J-185 at Sam Ash and an SJ-200 True Vintage at Guitar Center.

Both had a fairly distinct and really very good sound although different from each other. The 185 had less bass than a guitar its size should, but the SJ-200 really did sound good, especially when picked with bare fingers. Both were very attractive, again, especially the SJ-200. Both were also quite expensive -- over $3K for the 185 and close to $5K for the 200.

Now the bad news. Both had issues that appeared to have originated in the factory. The 185 had a neck angle that was too shallow for a brand new guitar. Siting down the fingerboard, the line of sight fell below the top of the bridge. Furthermore, the saddle was practically non-existent, especially under the high E string. The break angle was so shallow that the string wasn't held firmly in place and twanged annoyingly when played hard. The relief was also excessive. IF I had to guess, I'd say the store tech had to figure out how to make the action decent, given the poor neck angle, so he/she dialed in a lot of relief and lowered the bridge as far as possible. The action was good, but not without those other issues arising.

The SJ-200 True Vintage -- a high-ticket item -- had a great neck angle and tons of exposed saddle. But the action was way high (easily twice the thickness of a 2mm pick), so some saddle would have to go to improve that. In fact, quite a bit would have to go. Plus, the saddle slot was too wide, so that the saddle was noticeably tipped forward in the slot.

Everything looked clean inside both guitars but a bad neck angle and a tipping saddle are pretty outrageous on guitars in this price range. By comparison, my NH F-512 came with a great neck angle, no tipping saddle, or any other issues that would suggest factory carelessness. I have no idea how representative my Guild or those Gibsons are of their respective brands. But if they're fairly typical, a Guild jumbo will compare very favorably against a comparable Gibson model, even though the latter is priced considerably higher. This was really an eye opener.

I went in to look at these guitars because I like the wider necks and the shorter scale (for the 185) of the Gibsons. And I do like all that 50's glitz on the SJ-200. It's such a throw-back. But if these examples represent standard quality, I'd be very hard pressed to favor a Gibson over a Guild.
 

tjmangum

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Gibson Jumbos are guitars that I want to like. The SJ200 is a classic of the flattop guitar world. Over the years I have tried dozens and not one sounded worth a darn. Guild Jumbos consistently sound great. I own a rosewood and a maple 12 string. Gibson these days, on the acoustic front, is, IMHO, running on the fumes of the past. I know that here at LTG we sing the blues about how confused Fender appears to be in how to market Guild, however the product is up to snuff. Makes me wonder, do Gibson forum people bemoan how crappy the quality is of the product, or do they just not know any better?
tj
 

West R Lee

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"Running on fumes of the past" :D ? Sorry to quote you there TJ, but I love it, and it sounds oh so famliar :wink: .....such a fitting analogy to be used here of all places. However I've not heard of any N.H. Guilds built quite like the Gibsons described here. I've played some outstanding sounding and playing J200's and a J185 that sounded exceptional.....though I'm sure there are bad apples in every bunch.

West
 

tjmangum

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Maybe it's me and my aging ears, but every time I come across a Gibson jumbo I give it a go and it does nothing for me. On the other hand, Guild jumbos have rarely disappointed me. Yes, I'm biased, but I try to be open minded. It's great that Guild is getting some good PR, but as West remarked, if you can't put your hands on the product, it doesn't do much good.
 

jgwoods

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I have a very nice J-185TV to go along with my Guild GSR F-40. Over at the Gibson forum folks know Gibson quality can be spotty. I think everyone knows it, at least every one repeats the same line whether they actually know it or not, but that's the internet for you.
I agree that the bass on the J-185 is not "big". Dreadnoughts have big bass, J-200s don't, but they have more than the 185. Over all the J-185 is the most wonderfully comfortable guitar to play that I ever had. It sits perfectly on my leg with the pinched waist and the short scale and great neck shape make for a great player. Sound/tone- very good. I wish for more and it may come out in a few years.
I got it for a very good price and have offers for it that tell me my money is safe parked in this guitar. A winner in the resale contest.

I haven't played a Guild Jumbo. The GSR F-40 has a 16" lower bout but is a shallow body so I don't call it a Jumbo. Grand Orchestra size I think.
The shallower body and pinched waist make it comfortable to hold. The longer scale makes it less perfect as a comfortable player, but helps the sound/power.
I'm not blown away by the voice of it...yet. But it needs a winter of playing to tell how it is going to be in the future. I certainly think the build quality is there, superior to Gibson. I bet it weights at least a pound more than the Gibson.
 

evenkeel

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Gibson as never had a reputation for consistancy. Serial numbers, construction methods, Q.C.. It's part of what makes Gibby unique. The bad old Norlin years, the Nashville acoustic factory certainly did not help. The general concensus is the Bozeman built guitars are big step in the right direction. Of course some Gibby fans will tell you it's Kalamazoo or nothing. Remind anyone of the Hoboken vs. Westerly vs. Tacoma discussion?

I've never warmed up to the Gibby Jumbo's for playability issues. They are just to bloody big. Guild Jumbo's I also struggle with, again just because of size. I must admit I've always loved the sound of the Guild jumbos, while some Gibson Jumbos's left me underwhelmed tone wise. The slightly smaller J-185 feels terrific. I played a used one recently that sounded wonderful and felt perfect. It was at a G.C., used. The former owner had removed the electronics but left the endpin jack, truss rod cover was missing, no case. Few small scuffs and dings. $1,400. G.C. would not budge on the price which I felt was a bit steep. Since playing that J-185 I've been on the lookout for a spruce/maple Guild with the same general dimensions. GF-30, 60. Not found it yet.
 

wileypickett

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I've tried many Gibson 12-strings over the past eight years or so. All the Gibsons 12s I've come across, new or used, jumbo body or dreadnaught, were poor sounding and some of them were downright bears to play.

(I have no prejudice against Gibsons -- my first good six-string was a '50s Gibson slope-shouldered dreadnaught and it sounded wonderful.)

But a few good 12s must have slipped out of the Gibson factory over the years. Leo Kottke's first decent 12-string was a Gibson B-45, and he raved about it. (It was stolen out of the back seat of his convertible on the way to a gig.)

From an article by Mark Humphrey, recounting Kottke's early years: "Leo locked onto a brassy and user-friendly Gibson B-45 12-string, which he would recall as a happy fluke: 'Most of them are not playable.'"

There's a drawing of the guitar on the cover of his first record, *12 String Blues*, on the Oblivion label (the "armadillo record" on Takoma was his third album -- many people think it was his first). Apparently it had a jumbo body with a slotted headstock.

You can sort of get an idea here, if you enlarge the image.

http://cgi.ebay.com/Leo-Kottke-12-Strin ... 0640193763

Note the back cover which shows the headstock.

Anyone ever come across this model? I never have.

Glenn//.
 

Rockinb23

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From what I've seen Gibson acoustics have gone down hill in the last 5-7 years. Give me a 90's model SJ-200 anyday or the early 00's were nice as well. I have played a lot really unimpressive sounding new Gibson Acoustics. I played a custom AJ that was really pretty at a dealer. The owner said he had just got it in a few weeks before and it sounded like the guitar had something stuffed in it. That same dealer had a 90's Rosewood natural J-45 that sounded pretty good not incredible but not at all bad.

I owned a 2002 SJ-200 Elite that was very impressive and I owned a Custom Shop 2007 SJ-200 with an Adirondack Spruce top and madagascar rosewood back and sides and it was a dud, I sold it with in a week of getting the guitar.
 

twocorgis

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In my experience, the vast majority of Gibsons, no matter where they're manufactured, are duds. When you encounter a good one though, they're very good. I own an '09 Songwriter Deluxe Ovangkol that I just love, and sounds different (and smells better!) that any of my other guitars. I haven't played a Gibson Jumbo that's moved me (yet), but I've like every one of the Guild Rosewood Jumbos that I've played, including my own '75, and the '01 that I sent to West. Like West, I can't say the same of the Guild Maple Jumbos; many here love them, but they just don't speak to me like the Rosewood ones do. I'd love to play a nice Hog Jumbo sometime, but you don't come across F48s very often.

All in all, it is absolutely essential to play a Gibson before you buy one, but Guilds are so wonderfully consistent that it's really not necessary. I don't sound too biased, do I? :lol:
 

Siwash

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I hate to sound negative---and they are beautiful-looking guitars, plus I'm an Emmylou Harris fan---but I don't often run into a Gibson jumbo that really sounds great. They've been so-so.

I DID run into their "advanced jumbo" model, something looking like a dreadnought, that sounded wonderful, though. Had nifty art-deco fret markers.
 

steverok

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My 2005 Gibson J-100 Xtra with bubinga B/S sounds great. Very round, full, woody sound, and big, just what you would want. I have played F50s, maple and rosewood, that I didn't like nearly as much. Of course, I would never want to pay the prices that any of these beasts are going for now. Sheesh !
 

avagadro

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I bought a Gibson 180 a few years back, was disappointed when I found out it had the 24 3/4 scale. after a while a friend with good ears said, " your intonation is bad".. GULP. I had an Earvana nut installed and everything sounded good after that. Still, when you pay "Gibson" money for a guitar it should be in top condition. I recently got a GAD JF 3012 and it was great. wonderful projection and balance, played well and had good tone. if I get some more cash (and storage space) I'll buy the six string model to go with it.
 

hojo199

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evenkeel said:
Gibson as never had a reputation for consistancy. Serial numbers, construction methods, Q.C.. It's part of what makes Gibby unique. The bad old Norlin years, the Nashville acoustic factory certainly did not help. The general concensus is the Bozeman built guitars are big step in the right direction. Of course some Gibby fans will tell you it's Kalamazoo or nothing. Remind anyone of the Hoboken vs. Westerly vs. Tacoma discussion?
/quote]

I have a Bozeman J45, and quality is not an issue. It is all there. It's just new (2006). You are right though, those Norlin guitars are horrible -- especially the acoustics. The Les Pauls, however, sell for stupid money -- for three piece glued together bodies. Unbelievable!
 

devellis

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The sound of the two I tried wasn't the main problem. The SJ-200 actually sounded quite nice. It was the build quality relative to the price that really disappointed me. The neck angle on the J-185 would have been unacceptable on a 20-year-old guitar, let alone a brand new one. And the saddle fit on the SJ-200 True Vintage would be reasonable on a $450 guitar, but not on a $4900 one. And although there was plenty of saddle there, the action was a mile high. Getting it where it should be wouldn't leave much saddle.

As I said in the OP, I don't know how representative these two, at different stores, are of Gibson's recent output but for the prices they were asking, the quality was unacceptable. And it a wasn't sloppy binding join or finish rough spots, it was neck angle and saddle fit, both of which play a crucial role in how an instrument sounds. The SJ-200 TV definitely had potential but who wants a brand-new nearly-$5000 guitar that needs a new saddle and that may or may not have sufficient saddle height after the action was adjusted? It was good enough to persuade me that a good example could be very good, indeed. But these are sold primarily at big-box stores, with no smaller dealers in these here parts, so finding one that can be confirmed as a good one and that hasn't been man-handled (there were scratches all over the SJ-200) is pretty challenging.

While the same (i.e., the lack o availability) can be said about a Guild maple jumbo, I've never played one that was a dog. Honestly, an exceptional SJ-200 at a reasonably aggressive (but realistic) discount price would appeal to me more than an F-50, but finding one seems to involve either a huge leap of faith or a willingness to traverse the continent in search of a good one. I like the wider nut, relative to the Guild, and I like the over-the-top looks (which remind me of the old cowboy movies my brother and I watched on TV as kids), but I can forgo all that in favor of Guild's greater consistency.

Memory is elusive and I'd love to be able to compare Guild and Gibson jumbos head-to-head but finding either, let alone both, in a local shop is nearly impossible. More's the pity. Sitting tight and waiting for the right small-builder guitar (like a Mayes or Kopp) to show up on the used market may not be a bad option. We'll see.
 

Janpeter

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Dear Guildies;

over the recent eight or ten years I have often taken the chance of playing a Gibson Jumbo, however, in sound, noone could ever match any of the Guild JF 55 / JF 65 or F50R Jumbos, particularly concerning the very well balance in intonation across the whole fretboard - and the wonderful belcanto sound, the also the Guild Jumbos transmit easily. To me Gibson jumbos seemed to be only useful for rythmics, strumming or picking up to the third or fifth fret, no more; - with strong bass, but missing the beautiful atmosphere of the heights.

However, one Gibson did definitely attract me, it was the L140 modell, which was seldom sold; as what I know, Vicky Genfan, for instance, has one and plays this modell.


With all my regards across the ocean!!

Jan-Peter
 
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