New capo especially for 12-string guitars, any fretboard radius -- no buzzing!

GuildFS4612CE

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To be honest, that looks like the G7th capo from about 10 years back, just from the big knob that sets the tension. I wonder if D'Addario possibly bought out G7th design, or the company that made the G7th capo (does anybody know if G7th capos are still available, or the company making them is still around?).
They're exhibiting at NAMM in April...so, alive and well...and their staff is very nice.
 

gjmalcyon

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I've got one on order too.

I have a bunch of different capos (G7th, Thalia, Shubb, Dunlop), and they all have problems with my JF4-12, mostly pulling strings sharp when I have them cranked down enough to get rid of string buzz.

Looking forward to trying it.
 

Boneman

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That’s a neat idea. I had a G7th with the compensated pad and the inner spring mechanism broke on me when adjusting it. I emailed their customer support and they immediately responded, and within a week I had a brand new replacement. So they are still in business and from my experience a real stand up company.

Nowadays, I really don’t have the need for the capo since recently decided if I was being honest with myself, I am just not a 12 string player and I sold my 12er. Then I also said while you are at it, you are not much of a capo using guitarist, and the Shubb is all I need for the occasional use on a 6 string. With that, I offer up the brand new replacement I got back from them, still in its packaging, to the 12 string LTGers here for free. I will come up with a quick little contest for those interested, and start a new giveaway thread 😄
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rmoretti49

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I'll just add this on capos in general, or at least my experience with them. I guess I've got capos from about 7 different makers, including G7th, Thalia, Elliott and D'Addario. My take is that to me, the D'Addario holds the strings more securely and in tune than the others. It too has a softer pad than most, and I would attribute the holding tune and security to the softer pad conforming better to the strings. Having said that, to my ear the D'Addario kind of muffles the sound just a tiny bit, and I attribute that to that softer pad material.
This issue of a softer pad potentially muffling the strings has always concerned me, too. But to be truthful, I can't say for certain that the concern is valid. If Wiley hasn't noticed it, with all his experience with different capos, then I have to suspect my concern isn't warranted. I'll likely try this new capo.
 

wileypickett

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This issue of a softer pad potentially muffling the strings has always concerned me, too. But to be truthful, I can't say for certain that the concern is valid. If Wiley hasn't noticed it, with all his experience with different capos, then I have to suspect my concern isn't warranted. I'll likely try this new capo.

I think we have to acknowledge that we each hear what we hear, and there's no gainsaying what our ears perceive.

For instance: I love soundports for the added volume they put in my ear -- I feel like I'm more "inside" the guitar. Other people tell me they can't hear any difference with or without 'em.

I've tried bridge pins made of different material -- plastic, soft wood, hard wood, brass -- and can't discern a change in sound between one set versus another. Others insist that they can.

I've tried the Tone-Rite on a few guitars but, after letting them run for a week, I can't perceive an improvement in the sound of my guitars. (However, I've only ever tried them on old guitars, which, as others have noted, may have already reached their potential.) Others -- including people whose opinions I very much respect -- say they work.

Conclusion: One size does not fit all.
 

GF60

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I also highly recommend the G7 Newport for 12 string. I love mine and it works great. The Heritage for 12 string is also excellent, but in my opinion is way, way too expensive. The notches in the rubber bar really get the job done. I use it on a '67 Martin D12-35 and have no problems at all!

 

rmoretti49

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I also highly recommend the G7 Newport for 12 string. I love mine and it works great. The Heritage for 12 string is also excellent, but in my opinion is way, way too expensive. The notches in the rubber bar really get the job done. I use it on a '67 Martin D12-35 and have no problems at all!


Margaret,

I, too, have the G7 Newport for my 12 string guitars. For some reason, a few years ago they sent me a prototype of what was then the Newport. I really do like it, but mine does not quite match the radius of my Taylor 856 12 string. This means I have to overtighten it to get the highest treble strings to sound cleanly. If the Heritage was even remotely affordable (what are they thinking, offering it at that price?), I would buy one, because it will probably work better than the Newport in matching the radius, given the style.

I did go ahead and buy the D'Addario Pro, and it is okay. It works about as well as the G7 Newport in preserving intonation. It really looks and feels quite a bit like a Planet Waves cheap capo, differing only as far as I can tell in the flexible pad. I feel it is overpriced at $30. I still need to do some tuning when changing positions.

If I am going to have to retune, whether a little or a lot, I might as well use my Paige 12 string yoke style capo.

RM
 

fronobulax

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Mrs. Fro's D'Addario Pro Plus Capo, in Black, arrived. She fell a couple of weeks ago and hurt her fretting hand so she has not been playing as much as she would like. (She is getting better). She finally got a chance to try it on the D25 and loves it. In her opinion it is better than any other capo she has tried. That may say much about how many other capos she has tried but this is a keeper. The next question will be whether she asks for another one or just moves it from case to case. If the bloom comes off the rose I will report but the first impression is wonderful and Mrs. Fro's first impressions tend to be spot on when viewed in hindsight.
 

SFIV1967

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My one also arrived in the mail just yesterday and I think it is great. I also have the older thin G7th C32013 Newport Capo for 12 strings (not the compensated new version) but the new D'Addario Pro Plus seems to be really good for 12 strings.

Ralf
 

fronobulax

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Mrs. Fro's D'Addario Pro Plus Capo, in Black, arrived. She fell a couple of weeks ago and hurt her fretting hand so she has not been playing as much as she would like. (She is getting better). She finally got a chance to try it on the D25 and loves it. In her opinion it is better than any other capo she has tried. That may say much about how many other capos she has tried but this is a keeper. The next question will be whether she asks for another one or just moves it from case to case. If the bloom comes off the rose I will report but the first impression is wonderful and Mrs. Fro's first impressions tend to be spot on when viewed in hindsight.


Last night she was accompanying some children. I was in front of the D25 and noticed there was a clarity to the chords that I was not used to hearing. Mrs. Fro. said she also heard it and attributed it to the capo. She inadvertently proved that by not quite getting some barre chords (injury, remember) and the clarity was replaced by something muddier. So the capo has more pressure or more consistent pressure than what she used before.
 

hearth_man

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Ok, you've all convinced me to give the D'Addario Pro Plus a whirl. Just put one on order. I've been using the G7th compensated recently but I'm open to something better. The idea of a softer pad sounds right to me.
 

hearth_man

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Well this Pro Plus capo is a winner, for me at least. I think I like it a bit better than the compensated G7th 12 string capo. I can get a more even pressure on the strings with less overall tension. Very nice. I will still use my trusty Shubb capo on my six strings but the Pro Plus is going to be my go-to for 12ers. Thanks for the recommendation folks!
 
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