Anyone own a CO1?

F30

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I've heard about these but never seen one or heard one played?
Anybody know the story on these?
 

ReevesRd

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There are several Contemporary Series owners on LTG.
Guild produced the Contemporary Series in Tacoma between 2006 and 2008, using a patent-applied neck joint system. There were some quality control issues related to the joint adjustment and when production moved to New Hartford the line was discontinued. The remaining Contemporary Series guitars were sold off for refurbishing.

The C01 is an F-30 body with a western red cedar top, mahogany back and sides, rosewood fingerboard and bridge, and mahogany neck.
 

ReevesRd

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graphite neck block and a full blown bolt on neck

Guild-2006-Guitar-Catalog-pg05_1600.jpeg
 

JohnW63

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As my signature shows, I have a CO1. As mentioned RayK has or had at least one. I really like it. I tend to look for guitars that play well without strumming firmly and I mostly use my fingers and not a pick. Cedar over Rosewood is a good combination for that. I think it has a 1-3/4" nut. I consider it the guitar for the somber rainy day songs.

The neck is a mechanical attachment that can be completely removed in minutes. The trick that I guess Guild didn't figure out to the mm is how to make sure it all fits perfectly. If you sight from the bridge up, I can just see the slightest hump where the fret board goes over the body. My old Ovation is worse. The only time it affected the guitar is playing past the 12 fret. I removed the neck a few times to come up with an elegant shim or fix of some sort. As it is now, you might not even notice it, unless I told you to look for it. I think RayK dialed his in with some very careful sanding. Maybe someday, I might give it another try, but really doesn't need it, now.

If you find one that you like, look closely at how the neck fits and how the fretboard sits on the body. It doesn't scare or concern me. It seems to freak out regular guitar repair places because it's different. It's 4 Allen screws and figuring out what direction the neck needs to go.

They used to go pretty cheap because of the bad rep the neck issue gained. Mine sold for about $600 I think, but I asked the seller too many questions and he refused to deal with me. So, RayK bought it and then sold it to me. I had to pay him the shipping so it set me back closer $700. Post Covid, everything costs more.
 

F30

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Thanks for the reply's I have heard them mentioned but glad to be educated now.
Love F30's and OM's so Maybe if I see one I should pick it up and give it a try.
 

The Guilds of Grot

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Recall they did actually have a precedent for that in the Westerly GX series ;)
Guild-1990-Catalog-pg13_1600.jpeg

Well this a stretch!

Yes while the GX Series did have a bolt-on neck, it was bolted on to essentially a solid bodied guitar as the GX is one piece of wood hollowed out to be "acoustic" The Contemporary were bolted to a truly hollow, (sides, front and back) superstructure!
 

HeyMikey

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You can read about mine here

 

chazmo

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Well this a stretch!

Yes while the GX Series did have a bolt-on neck, it was bolted on to essentially a solid bodied guitar as the GX is one piece of wood hollowed out to be "acoustic" The Contemporary were bolted to a truly hollow, (sides, front and back) superstructure!
Yes, completely agree. The contemporary series bolt-on neck block was completely bespoke to that series and was never to be seen again.
 

twocorgis

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Yes, completely agree. The contemporary series bolt-on neck block was completely bespoke to that series and was never to be seen again.
There's a reason for that, too. My luthier called it "the stupidest design I've ever seen". I know there are good ones out there, and I played a CO-1 of Jay Pilzer's at the Arlington Guitar show. I thought about making him an offer, but then I remembered this.

 

chazmo

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The ones that weren't reclaimed were fine, Sandy. The track record on the MIRC'd ones that were wholesaled after Tacoma is not good.
 

HeyMikey

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Was it really the neck block design or rather the use of under-cured necks that were the route of the Contemporary series issues? Clearly there are good ones, even MIRCs, out there like mine without issue.
 

twocorgis

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Was it really the neck block design or rather the use of under-cured necks that were the route of the Contemporary series issues? Clearly there are good ones, even MIRCs, out there like mine without issue.
The one my luthier was working on on not a MIRC'd example, and had a bad neck set from the factory. My guy is usually very reserved with his opinions, but he sure wasn't about the design of the neck block system!
 

adorshki

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Was it really the neck block design or rather the use of under-cured necks that were the route of the Contemporary series issues? Clearly there are good ones, even MIRCs, out there like mine without issue.
The original thread alerting us to the problem was "Trainwreck Neck" by member Scratch. His was a CV, the larger F40-based body size.
HIs luthier managed to untwist the neck once but the twist returned, at which time the luthier was of the opinion the neck hadn't been properly dried before construction.

Originally that problem wasn't attributed to the attachment system, but questions came up as to why Fender dropped the patent application. Some folks are fine with it, others (like Sandy's luthier) not so much.

They seem to be problematic with a "hump" at the 14th fret and a gap between the fretboard extension and the top.
 
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