Favorite Tonewood Combo

ReevesRd

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Okay, fellow LTG acoustic players, what's your favorite tonewood combination?

I find myself drawn to a spruce top with mahogany back and side. I like other tonewoods for the back and sides, but I would rather play my mahogany guitars.
What combination do you find yourself drawn to?
 

GGJaguar

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For big guitars like dreadnaughts and 17" jumbos, I like mahogany and spruce (preferably red spruce). For smaller guitars, I like rosewood and spruce (again, preferably red spruce). The exception would be for12-string guitars where rosewood with Sitka spruce is pretty great.
 

Rayk

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African Black wood and Adirondack or Lucky Strike redwood for tops .
 

West R Lee

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I guess it depends on my mood, and what I've spent time with recently. But I think Adirondack is definitely my favorite top wood. Adirondack because of it's responsiveness and clarity. Regarding back and side wood, I really like them all, but feel they all offer something quite different. I love the richness and overtones of rosewood, but the clarity of maple, and the versatility and middle ground of mahogany. Having said that, I do love that mainstay top staple of Sitka, and the compromise of German spruce in top wood, though I prefer Adirondack.

I know that's not the answer you were looking for, but the best I can give. I like all the woods for one reason or another.

West
 
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Cougar

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I find myself drawn to a spruce top with mahogany back and side.
I had an F212XL(CE), which is mahogany backed with spruce top, and it just didn't wow me like my braceless arched laminate maple backed (spruce top) JF30-12, so I kept the latter and sold the former. The rosewood backed, spruce top on both my F512 and F50R is also hard to beat, and I'm kind of waiting for the right braceless arched laminate maple backed (spruce top) F50 to come along to see how that compares.
 

ReevesRd

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African Black wood and Adirondack or Lucky Strike redwood for tops .
I see that you are a fan of the Contemporary Series. The first Guild I purchased was the CO-2. I love the red spruce top.
 

kitniyatran

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I like spruce tops. For backs I really love Maple but for some uses, mahogany is ideal. The most "blow me away" guitars I've played have been spruce over myrtle, striped ebony, and Cocobolo.
I also love walnut, which is a great compromise of everything for backs
 

ReevesRd

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I guess it depends on my mood, and what I've spent time with recently. But I think Adirondack is definitely my favorite top wood. Adirondack because of it's responsiveness and clarity. Regarding back and side wood, I really like them all, but feel they all offer something quite different. I love the richness and overtones of rosewood, but the clarity of maple, and the versatility and middle ground of mahogany. Having said that, I do love that mainstay top staple of Sitka, and the compromise of German spruce in top wood, though I prefer Adirondack.

I know that's not the answer you were looking for, but the best I can give. I like all the woods for one reason or another.

West
No, that's fine. I'm not looking for any specific answer. Just curious about what you guys like.
 

Rayk

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I see that you are a fan of the Contemporary Series. The first Guild I purchased was the CO-2. I love the red spruce top.
Yes , the CO-2 is the first Hog I really liked . It along with my F212 and OM 120 are the only hog guitars I have .

Adirondack is my favorite top wood most of my guitars are Adi . Lol 😂
 

Gdjjr

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I'm not as experienced as most of y'all here... I prefer mahogany for my style vs what I've heard...
A few weeks back I visited a guitar shop and the sales guy insisted I play a Martin D18 and a D28.
I found it hard to put the D18 down, but just a few seconds on the D28, I handed it back and told him, I prefer the mahogany.

No, I won't buy the D18... or any other guitar for multiple 1000's... 1000 and preferably under suits me just fine and when plugged in it's the system that determines the sound heard...and I play everything I have plugged in at an open mic I attend.
 

Br1ck

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I just voted Mahogany/spruce yesterday. It came at quite a price, two mandolins and my 00 15 Custom plus cash, but I broke all my rules for a 2011 Santa Cruz D P/W. It will be an interesting test for my 70 D 35. It was an instantly, this makes me play better, experience.
I still think both is the answer. My Martin D 35 custom is good to have around. When it comes to smaller guitars I think the builder, ie throw money at the issue, is the important factor. Early days with the Cruz but it was a rare instant bond for something totally out of my normal personality, and has tested every one of my hard fought tenets except for pounce when the magic happens.

I too was one of the what I play is fine folks. But I think that over time, as finances dictate, and skills improve, one comes to a different realization. I was forty before I could afford a Martin. I bought a $12,000 cello and a $6500 viola before that. Kids are expensive. I'm in the process of reevaluating my whole guitar related point of view. I really have played a hundred boutique guitars with nothing but indifference. It wasn't a lack of experience that formed my view they, to me, weren't worth it. Then one day your world order changes, and I'm left with only one rule, play guitar, like guitar, buy guitar. But in the end, you must rely on your own senses. Now I have to rebuild my online persona. Reevaluate who I am. At 73 that is a strange trip to be on, but to ignore reality would be far worse.

Stagnation has certainly been shattered. First, I've been on a tear to increase my abilities to the extent I'm able. I assure you that is to be better than I am now, no I'm going to be as good as so and so. Perhaps the increased ability left me open to finding an instrument I could use to exploit my progress. I was ruthless in exacting a measure of pain in the process. I do not, really do not, like to give up instruments. Who would think an instrument could exert such profound change? But it feels pretty good because I wasn't using them. And who knows what might change with the untouchable big three? Time will tell. We'll find out the next time I run into a twenties Martin 00.
 
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Gdjjr

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Last night I played my Martin 00015M for an hour or so. Mahogany does it for me.
 

davidbeinct

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My two main guitars are very different from each other and I don’t think the tone woods are the main contributors. Having said that I find the tone of my GF30, spruce over arched maple back and solid maple sides more pleasant than the tone of my Waterloo WL-K. The Waterloo is not by any stretch unpleasant, it’s just very much built to emulate a very specific style and has a pronounced “honk” to it. I probably play it more than half the time though because it’s much more comfortable for my sausage fingers.
Having said all that the best sounding guitar I have ever heard was a Westerly dred with rosewood back and sides that someone brought to our local picking party. I think it was a D55?
 

adorshki

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Have to say I don't have a favorite yet, because I've never owned any rosewood. After that, the D40 produced the finest sounds I've ever made and recorded. Spruce and 'hog.
 

West R Lee

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My two main guitars are very different from each other and I don’t think the tone woods are the main contributors. Having said that I find the tone of my GF30, spruce over arched maple back and solid maple sides more pleasant than the tone of my Waterloo WL-K. The Waterloo is not by any stretch unpleasant, it’s just very much built to emulate a very specific style and has a pronounced “honk” to it. I probably play it more than half the time though because it’s much more comfortable for my sausage fingers.
Having said all that the best sounding guitar I have ever heard was a Westerly dred with rosewood back and sides that someone brought to our local picking party. I think it was a D55?
Oh man, you've got a Waterloo. I've never played one but have always wanted to. They are just a totally different concept. That was Bill Collings though.....always trying something different. And by different, I do know what you mean.........I've always thought Waterloos would make the greatest blues guitars, and no doubt they do.

West
 
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Doc Hanson

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My favorite tonewood combination is on my CV-2 Contemporary, red spruce top and bracing, flamed maple back and sides. It's such a personal thing, but every time I play this guitar in front of others the first comments I get is how nice the tone is. When I was in college (a long, long time ago) I bought an Alvarez with a spruce top and maple back and sides that I played for several years. It had a saddle where you would adjust each string height individually and was impossible to keep in tune, but is sure sounded pretty. Since then I've always liked maple and spruce.

Doc
 
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