NGD - 1995 Artist Award

Razorbill

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Thought I'd post a long awaited NGD!

Travelled down from Scotland to Morpeth to pick this special guitar up last night. S/N AA000077
The previous owner had it for around a year, seems to have bought it to try out owning one and then sell it on (was a big Guild fan with two lovely flat top acoustics he has owned for a while). Before that it was in a shop (Music Street in Huntingdon), but that's as far back as I can track it's history.

Everything seems to be stock besides the bridge being swapped out for a Benedetto, but I still have the stock (rosewood?) one. Definitely a well used and played guitar, but kept in pretty relatively good shape for a 27 year old guitar. Also at some point in its life a tone knob was added to the pickguard. The pickup is fine, dead quiet noise/hum-wise. I may change it for a Lollar Johnny Smith when I get the guitar in for a setup, it seems like that would just slot in fine but leave an extra gap where it meets the pickguard.

I'm curious to hear other AA owners: what strings they've used to make the guitar louder acoustically?

Right now it has D'addario Chrome 12s. After playing it for a while at home I was surprised by how similar the acoustic tone is to the A150 Savoy I also have. The Savoy may actually be a touch louder but has different strings on (Thomastik Jazz 13s). Obviously the fit/finish and other features are incomparable, but makes me appreciate the A150 even more for what it is.

Now...pictures!

IMG_4262.JPGIMG_4263.JPG
 

GGJaguar

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Fantastic guitar, congrats! I have a '96 AA and I only play it acoustically (I have a Guild/Benedetto JSA for playing amplified). It currently is strung DR Sunbeam 12s, but 13s would be a could choice, too. I put a set of Magma phosphor-bronze flatwounds (really they are roller wound) on my A-350 and I really like them. I have a set to put on the AA for the next string change. Enjoy your new beauty!

NGD archtop.jpg
 

Razorbill

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Thank you all!

@GGJaguar I'll definitely have to give round wounds a try with the sunbeams, haven't heard of that make before. The Magma PB flats sound perfect, but of course they're not available in the UK! Have also heard good things about Newtone archtop strings, which might be a similar type of thing.
 

Mapleman54

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Beautiful!! I agonised over that guitar… just couldn’t do it at the moment (Keith sounded like a great guy!) and I’m so glad it went to a good home!! Best wishes from Suffolk!
 

Razorbill

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Beautiful!! I agonised over that guitar… just couldn’t do it at the moment (Keith sounded like a great guy!) and I’m so glad it went to a good home!! Best wishes from Suffolk!
I assumed some people on the forum had to have been eyeing it haha

Keith is a great guy! Picked me, my partner, and our dog up from the station. He also has a greyhound, so the two of them had a bit of a playdate while we played and chatted. Didn't pressure me to buy at all, gave me plenty of time to try out the guitar and come to a decision.
 

chazmo

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I really like that axe, Razorbill. Congrats!

So the bridge is not stock (it's a Benedetto)? Looks great and I love the plain/simple look!!! Is that the original pickup? The gold cover goes well with the harp tailpiece! Nice, nice, nice!!!
 

Razorbill

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I really like that axe, Razorbill. Congrats!

So the bridge is not stock (it's a Benedetto)? Looks great and I love the plain/simple look!!! Is that the original pickup? The gold cover goes well with the harp tailpiece! Nice, nice, nice!!!

Thank you! Yes this is a new Benedetto ebony bridge that the previous owner replaced the stock bridge with. I agree with his taste, it looks great.

I still have that original bridge. The previous owner thought it may have been a rosewood replacement, but it just looks like a lighter ebony to me.

Yeah the gold pickup is stock, though I’m not sure what was done to it. The gold has worn off a little closer to the pickguard. To my ear it doesn’t sound THAT bad, given their reputation...I’m wondering if I it was rewound at some point in its life. Someone went through the effort to put in the (pretty useful imo) tone knob and match it visually to the original volume knob, so there had to have been thought put into the amplified side of things.
 

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Razorbill

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I posted the Artist Award on a UK guitar forum and a member reached out to a friend of his who was the importer/distributor for Guild in the UK at the time my AA was made. He wrote a fascinating insight into the production process. Got permission to copy his email reply and share it here:
When I was at the Westerley RI Guild facility 30 years ago 1992! Boss Willi Fritzler and top luthier/builder Kim Walker took me thru the Artist Award procedure. Guild "top of the line" models were built in lots of 4. The TOTL models were JF100,D100,B30 and the AA.

With these models the first task was the selection of wood. For the AA Willi took me upstairs to his private stock of German fiddle back maple. Enough wood for the rims and backs of 4 AA's was selected. No time limit on this task.

Next Willi would select the spruce for the tops. Then the maple for the necks. The aim was always for natural finish blond guitars. Any wood that had a minor imperfection or mineral streak was designated for sunburst finish.

This selection procedure could take a day.

A team of experienced luthiers/builders would then fabricate the guitars. Usually led (at that time) by Kim Walker. The major task was the cutting and binding of the "F" holes. One luthier did this task and the target/allowed time was 2 days for both holes.

When the AA was complete it would go to Joe Fusaro for finishing. Finally Kim Walker and his team would complete the guitar. I shipped several AA's in my Guild Tenure March 1992 to November1995-the time of the Fender buyout.
 

Nuuska

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Nice guitar 😍

But - I've never seen that kind of pickguard as original on AA - then . . . I have not seen them all.
 
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