The Missing Serial Number - A Starfire XII Mystery

jthrel

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Hello Folks,

Since acquiring a 1976 Guild F-512 12-string acoustic last year, I have become a guild enthusiast. Although I joined the LTG board only recently, this on-line community has proven to be outstanding source of information. I now have a fascinating mystery that is in need of your collective skills to unravel.

Based on the stunning tone and playability of my F-512, I decided to add a Starfire XII to the herd. I was fortunate enough to locate one in Delaware. The Starfire had been recently purchased from an estate sale but that person was not interested in keeping the Starfire. I volunteered to take her off his hands in exchange for a number of green pieces of paper (money). The only history this recent purchaser obtained on the guitar was that it was played regularly by a gentleman well into his eighties. That gentleman had passed recently thus the estate sale. Regrettably, the original hard case was not with the guitar at the sale.

This particular Starfire is a 1968 vintage and is unusual for a number of reasons:

- The body color is Amber; a factory feature verified by the Guild tag inside the body. The most common finishes for Starfire XIIs were cherry and sunburst so this is different. She’s a real beauty as evidenced by the images below.

FrontFull.jpg


BackFull.jpg


BackClose.jpg


- The serial number is DC 898. The serial numbers inside the body and on the headstock match (photos below).

Labelsmall.jpg


HeadstockSerialsmall.jpg


Now the plot begins to thicken! The 898 serial number of this guitar is MISSING from the Guild serial number database. According to the factory serial number list (http://support.guildguitars.com/downloads/datingyourguild.pdf), only one serial number was issued to a Starfire XII in 1968: DC 897. The serial numbers for 1969 begin with DC 899 - MYSTERIOUSLY SKIPPING my guitar’s 898 serial number.

- This guitar has the number 02 stamped on the Guild tag (pic above) AND on the inside wood of the body (pic below). This leads me to think this may have been a factory second.

Stamp.jpg


- A significant neck repair has been performed on this guitar. NOT the usual broken headstock. There is a 7 inch by three quarter inch section of wood grafted into the neck (photos below).

NeckBacksmall.jpg


repair2.jpg


repair2_outline.jpg


The repair is visible when you look closely but it doesn’t affect the playability. The top edge (headstock end) and bottom edge (heel end) of the graft are detectable as very slight ridges. The long edges (parallel with the neck) are flush with the original neck profile. The neck has a dark finish so the repair is not apparent when the guitar is viewed from a distance. A checkout by a good luthier showed the truss rod to be fully functional, the fretboard firmly attached and no other serious structural or functional problems. It just looks like this guitar had a honkin’ slice of neck wood re-inserted at one time.

So, my questions……… brief puff on the Sherlock-style Rohan pipe……..

1) Is this guitar indeed a Guild factory second and does that status warrant banishment from the Guild serial number database? If she is not a second, why is the serial number 898 obviously skipped in the Starfire XII database?

2) Is AMBER the base color for a standard sunburst finish? If so, this might explain the apparent non-standard/custom color. If the guitar became a factory second during production, the factory may have lost interest in completing the sunburst finish on the body leaving this striking amber color without the dark spray around the edges.

3) Could it be that the Guild factory inserted the neck graft causing this guitar to become a factory second? Would the Guild factory even bother with such an extensive repair of a second? Alternatively, is this repair more likely to have been done by a previous owner?

4) What sort of horrid accident or flaw would necessitate this type of neck repair? Have you seen the movie UNFORGIVEN with Clint Eastwood? Similar story because of the scar inflicted on a beautiful woman.

5) Does anyone have first- or second-hand knowledge about the history of this guitar? I purchased her in the general geographic region of the Guild Hoboken production facility (within a 4-hour drive). The owner before me (the older fellow that played her frequently) lived in the same geographic region. She's in good shape so the previous owner(s) took great care of her. Has this guitar been spotted at a gig along the eastern seaboard, perhaps in the company of an older man?

Thanks in advance for any insights, thoughts or comments.

Al
 

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According to my copy of "The Bible" yours was the second 12 electric guitar made in 1968. The Fender-supplied serial numbers are wildly inaccurate. Hans Moust, who wrote the Guild Guitar Book, will be along presently to tell me where I messed up. :wink:
 

capnjuan

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jthrel said:
.... 3) Could it be that the Guild factory inserted the neck graft causing this guitar to become a factory second? Would the Guild factory even bother with such an extensive repair of a second? Alternatively, is this repair more likely to have been done by a previous owner?

4) What sort of horrid accident or flaw would necessitate this type of neck repair? Have you seen the movie UNFORGIVEN with Clint Eastwood? Similar story because of the scar inflicted on a beautiful woman.

Hi Al; welcome and congratulations on your SFXII ... it's beautiful guitar! As far as the neck patch goes ... only guessing ... but it's not uncommon to see splits and cracks in the necks of Guild (and other) 12 strings caused by excess torque being applied to either/both truss rods when the nuts are seized to the rods at the neckblock inside the body.

If one end of the rod is restrained and you try and rotate it, like a plumber's drain snake, it will deform, bow, and as it's turned, put pressure upward on the fingerboard and then downward on the pretty thin remaining neck material between the 'alley' for the rods and the outside of the neck.

Sometimes seen as only long, thin cracks in the finish ... sometimes more catastrophic. Not saying this is what happened to yours but also don't think that's a factory 'patch'. It looks like a pretty good fix; if that's what happened, as good as anybody might expect under the circumstances.

Welcome to LTG!
 

hansmoust

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jthrel said:
1) Is this guitar indeed a Guild factory second and does that status warrant banishment from the Guild serial number database? If she is not a second, why is the serial number 898 obviously skipped in the Starfire XII database?
Hello Al,

Welcome! Yes, your guitar is a factory second. The ink-stamped '02' on the inside of the body was one of the various ways for Guild to indicate this was a factory second.
As far as the serial number is concerned, it was not skipped in the 'Starfire XII database'; that is, if there ever was something like that. Your conclusion is based on a mistake in the available Guild serial number list.
So the last number for 1966 was # DC-586, 1967 started with #DC-587 and the last one was #DC-896. 1968 started with #DC-897 and that turned out the only one they would make that year. 1969 was started with #DC-898 and that was your guitar. The last one for 1969 was #DC-910.

2) Is AMBER the base color for a standard sunburst finish? If so, this might explain the apparent non-standard/custom color. If the guitar became a factory second during production, the factory may have lost interest in completing the sunburst finish on the body leaving this striking amber color without the dark spray around the edges.

No, Amber was one of the many optional finishes that had been available since the early '60s.
During those earlier years you would mostly see it on mahogany bodies guitars and since that is a much darker wood than the maple on your guitar, the final result looks completely different.
By 1969 the Amber finish became popular on electric archtops with maple bodies as well and so far I've seen it on most of the models that were available during that particular period. However, compared to the other standard finishes, Amber is a pretty rare one.

3) Could it be that the Guild factory inserted the neck graft causing this guitar to become a factory second? Would the Guild factory even bother with such an extensive repair of a second? Alternatively, is this repair more likely to have been done by a previous owner?

I don't think this is a factory repair. It would have been less work for them to add a completely new neck. But in spite of the repair, this is a very cool guitar! Great score!

Sincerely,

Hans Moust
http://www.guitarsgalore.nl
 

fronobulax

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Welcome.

Whatever Hans said is the best answer you are likely to get.

I agree with the Good Capn and others. My guess is that the neck repair was required due to a post-factory mal-adjustment of the truss rod.

It would be interesting to know why it was a second.

Don't put too much stock in the previous owner's proximity to the factory. I bought my Guild about 200 miles from the factory and never even knew where it was made until 30 years later. :wink:
 

jthrel

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Hi folks,
Thanks so much for your collective wisdom. This fills in some of the historical gaps for this big, beautiful guitar. By consensus and decree:

1) Amber is a factory second. I have yet to discover why she might have been designated a second. Although the Serial Number DC 898 is “skipped” in the Guild listing for SF XII’s produced in 1968 and 1969, Hans’ records indicate she should have been listed as the FIRST Starfire XII produced in 1969. We all agree that the Guild list is off a bit – but wasn’t EVERYBODY off a bit in ‘68 – ’69???. 8) That makes her 42 years young and very fond of songs from 1969 (perhaps “Time Of The Season” by The Zombies or a gritty version of “Aquarius/Let The Sunshine” a-la 5th Dimension would be good conversation starters).

2) The amber finish is an intentional color from the factory – not a sunburst that was left incomplete. So, she’s an uncommon color and a head-turner.

3) The neck repair was likely brought on by a gut-churning incident involving an over-torqued or frozen truss rod. I’m glad I wasn’t there as the sight/sound of a grown man sobbing is not pleasant. Oh, the humanity……………! To the credit of whomever, the extensive repair was exceedingly well done and has held up over the years.

I would still like to know more of the history of this flashy woman with a checkered past. That may have to remain part of her mystery.

She has a new home (case) on order: I splurged on a cushy TKL 8955 (http://www.tkl.com/site_item_detail...ional+Arch-Top+Semi-Acoustic+335-Style+Guitar). These suckers are rock solid and covered with a very tough type of tolex. The inside is nice enough to get buried in. My local Guitar Center was able to special order this case at a very reasonable discount.

Before deciding on a case, I tried her in an Epiphone 335/Sheraton/Dot/Casino case (http://www.musiciansfriend.com/accessories/epiphone-335-hardshell-guitar-case) and she fit quite nicely but the Epiphone was only a 3-latch case and thinner plywood. I also did not like the smooth, thin covering on the case. Looked like it would rip very easily.

Based on specs alone (I did not have access to this case for a fitting), she will also slip into a Guardian 335 case (http://www.elderly.com/accessories/items/GVGC-ES335.htm). This case is mostly patterned after the TKL. The Guardian looks really nice but is an Asian knockoff. Amber is an American Guitar thru and thru.

One last look at her voluptuous profile.

Bridge2.jpg


Best,

Al
 

Ravon

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Congratulations on a darn fine looking guitar and a nice neck repair as well. Cool to know a little history about it too
 
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