tele4tone
Member
Hello!
It's been awhile since I have corresponded with the owners of one of the greatest guitars ever made and then reissued. My band heads in to the studio at the end of March. I have been experimenting a ton with the tone of my S-100 reissue. I have found a lot of things that work and don't work. I even rethought my pedal board to accommodate S-100 little nuances.
This is my board that I use with a Sundown A-50 and an Ampeg 2-12 closed back w/ Celestion V-30s. It does clean great and gets the overdriven tone well enough. It really likes the Wampler Triple Wreck and I get some great heavy tone with all of the definition and harmonics I need.
My band is a heavy ish sound with with some Sabbath type riffs in the mix. What works well for you guys? I'd like to experiment a bit before we go.
I hope to get some great ideas from you.
Thx, Jeff
It's been awhile since I have corresponded with the owners of one of the greatest guitars ever made and then reissued. My band heads in to the studio at the end of March. I have been experimenting a ton with the tone of my S-100 reissue. I have found a lot of things that work and don't work. I even rethought my pedal board to accommodate S-100 little nuances.
This is my board that I use with a Sundown A-50 and an Ampeg 2-12 closed back w/ Celestion V-30s. It does clean great and gets the overdriven tone well enough. It really likes the Wampler Triple Wreck and I get some great heavy tone with all of the definition and harmonics I need.
My band is a heavy ish sound with with some Sabbath type riffs in the mix. What works well for you guys? I'd like to experiment a bit before we go.
I hope to get some great ideas from you.
Thx, Jeff