1964 T100D

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I would have to assume so. He was chief engineer at Guild from the very early sixties until Leon Tell killed the amp line in the early seventies. Aaron was working with Doug Beisel on a Guild synth, so they took that work and started Mu-Tron.
He did not do it singlehandedly, as he said "we" a lot.
 

Sam Powrie

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Hi, I'm a long term vintage guitar player and collector in South Australia. I recently added a nice Guild to the collection, so I thought I'd join the forum! My 'new' guitar is a 1964 T100D with a B3 Bigsby fitted. The Grover StaTite tuners on the guitar look to be original, as is pickguard, knobs etc. The bridge loks to be a Gibson style. I don't have a full history of this instrument, other than that it was bought new in South Australia. The serial number is 34482 on the back of the headstock and on the internal label; interestingly the label has the 'second variant' small USA letters at the bottom. Now that I have done some setting up it's a very smooth and enjoyable guitar to play. The build quality is excellent, the 1-11/16" nut width and full C neck profile with no volute feels great, like a late 50s Gibson but with a more radiused fretboard, and the lively resonant nature of the guitar makes it very engaging to play.

I do have a couple of questions and am hoping that forum members might have some comments.... This guitar has the wide single coil pickups with chrome plated cover and 6 adjustable pole pieces. (In the quickly taken photo below the pickup tops look black from a reflection but they are in fact all silver). According to Mr Moust's excellent book, these were used by Guild between '62 and '66. Both of these pickups sound strong but on this guitar they are out of phase when both are selected together. I wonder whether that is how they were designed to be in a T100D, or has this one had a wire swapped around at some time? I'm also wondering if any definitive information has come forward as to what company made this particular pickup? Inspecting the underneath of the pickups reveals no markings or codes. . Finally, the guitar came in a generic old dreadnought case. I happen to have a 1970s era made in Japan thinline case that fits the guitar quite well, but I was wondering if anyone knows which company made the cases that had the Guild logo on them back in the day?
Slim.jpg
 

Sam Powrie

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Hi, I'm a long term vintage guitar player and collector in South Australia. I recently added a nice Guild to the collection, so I thought I'd join the forum! My 'new' guitar is a 1964 T100D with a B3 Bigsby fitted. The Grover StaTite tuners on the guitar look to be original, as is pickguard, knobs etc. The bridge loks to be a Gibson style. I don't have a full history of this instrument, other than that it was bought new in South Australia. The serial number is 34482 on the back of the headstock and on the internal label; interestingly the label has the 'second variant' small USA letters at the bottom. Now that I have done some setting up it's a very smooth and enjoyable guitar to play. The build quality is excellent, the 1-11/16" nut width and full C neck profile with no volute feels great, like a late 50s Gibson but with a more radiused fretboard, and the lively resonant nature of the guitar makes it very engaging to play.

I do have a couple of questions and am hoping that forum members might have some comments.... This guitar has the wide single coil pickups with chrome plated cover and 6 adjustable pole pieces. (In the quickly taken photo below the pickup tops look black from a reflection but they are in fact all silver). According to Mr Moust's excellent book, these were used by Guild between '62 and '66. Both of these pickups sound strong but on this guitar they are out of phase when both are selected together. I wonder whether that is how they were designed to be in a T100D, or has this one had a wire swapped around at some time? I'm also wondering if any definitive information has come forward as to what company made this particular pickup? Inspecting the underneath of the pickups reveals no markings or codes. . Finally, the guitar came in a generic old dreadnought case. I happen to have a 1970s era made in Japan thinline case that fits the guitar quite well, but I was wondering if anyone knows which company made the cases that had the Guild logo on them back in the day?
Slim.jpg
Hi Ian ('Stello'), That's a nice guitar - still have it? I have a blonde X-170 which I think may be the same general shape as your T100 (apart from the different cutaway). Not sure about the 2.5" body depth though. The point is that I have the original case which you are welcome to check out sometime - I'm aware that you live only a few streets north of me! ;-) Hope the home renovations eventually got finished - mine continue...;-( regards, Sam.
 
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Hi, I'm a long term vintage guitar player and collector in South Australia. I recently added a nice Guild to the collection, so I thought I'd join the forum! My 'new' guitar is a 1964 T100D with a B3 Bigsby fitted. The Grover StaTite tuners on the guitar look to be original, as is pickguard, knobs etc. The bridge loks to be a Gibson style. I don't have a full history of this instrument, other than that it was bought new in South Australia. The serial number is 34482 on the back of the headstock and on the internal label; interestingly the label has the 'second variant' small USA letters at the bottom. Now that I have done some setting up it's a very smooth and enjoyable guitar to play. The build quality is excellent, the 1-11/16" nut width and full C neck profile with no volute feels great, like a late 50s Gibson but with a more radiused fretboard, and the lively resonant nature of the guitar makes it very engaging to play.

I do have a couple of questions and am hoping that forum members might have some comments.... This guitar has the wide single coil pickups with chrome plated cover and 6 adjustable pole pieces. (In the quickly taken photo below the pickup tops look black from a reflection but they are in fact all silver). According to Mr Moust's excellent book, these were used by Guild between '62 and '66. Both of these pickups sound strong but on this guitar they are out of phase when both are selected together. I wonder whether that is how they were designed to be in a T100D, or has this one had a wire swapped around at some time? I'm also wondering if any definitive information has come forward as to what company made this particular pickup? Inspecting the underneath of the pickups reveals no markings or codes. . Finally, the guitar came in a generic old dreadnought case. I happen to have a 1970s era made in Japan thinline case that fits the guitar quite well, but I was wondering if anyone knows which company made the cases that had the Guild logo on them back in the day?
Slim.jpg
Hey!!! Original case for sale!

 

Sam Powrie

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Hello Sam,

About 2 inch measured at the edge of the body.

Sincerely,

Hans Moust
www.guitarsgalore.nl
Thanks Hans - that's 1/2" thinner than my X-170 which measures 2.5". I'm interested in this for 2 reasons. First, Ian ('ianstello' whom I've known since we were both young) lives just up the road & I thought maybe he might want to try out my case for his T-100 to get a better idea of what he needed. Second, I have a set of very nice pressed maple ply plates (randomly flamed) I bought a while ago from a well known builder in Canada and which I've been considering for a thin-line, very light & full-hollow T-100 or Starfire 2 clone. I also have some solid maple sides I bought many moons ago that I can use & a mahogany neck blank. I think the T-100/Starfire 2 is the same shape as my X-170 so I thought I'd just take a profile from that. I've read somewhere that the combination of fully-hollow body & mahogany neck can give a mellower tone so I thought it might be fun to find out! Thanks again, Sam.
 

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Hello all. New member here. I'm a 30+ year long owner of a 1964 T100d (#38203). I bought the guitar way back when for $150...as a project guitar as it came in two pieces. The guitar and the headstock!! Did the repair myself, then a few years later after being absolutely in love with this guitar, I decided, knowing it could never be a true collector grade instrument, to refinish the heavily worn/chipped cherry finish to my personal liking. It now has a stunning (I think so) green top w/ the rest in it's natural mahogany. I've owned numerous Les Paul's, Tele's, Strats, etc...they all come and go...but this Guild is MY baby and will never part w/ me as long as I'm breathing. I've played it in everything from classic rock bands, to southern rock bands, to stright up hardcore punk!! It covers ALL the bases! I love it because it's such a beast that needs to be tamed AT the guitar. From leaning forward and allowing the guitar to hang free, resonate and, sing like Mahalia Jackson. Or w/ a lot of overdrive, having to use your right arm to press the guitar against your body just to control the feedback. Like driving an old VW Beetle...only it's owner knows how to really tame it.;) I can hand my guitar to a world class player, and it would likely get the better of them in any cranked situation. :cool:

After reading all the posts on this guitar here....seems mine too is out of phase when both pups are selected...but I've learned to love...and use...that "quack" sound, that I have no intention of "fixing" it. It's really sweet when soloing up high on the neck. I get some of those Jimmy Page tones that way.

Over the years, JUST to accommodate this guitar, I've resorted to building a little collection of 5 watt tube amps...and have them all running through a/b/y switchers pre pedal board w/ certain pedals dedicated just to certain amps. I have a 1956 Fender Champ where I bought a pro made tweed cabinet for the Champ chassis that can house a vintage 10" Jensen (the guild would have rattled that little original 8" to death! Then I have a Marshall Class 5 head and matching cab, then a pre WWII National/Dobro amp w/ a 15" Jensen field coil speaker. I love having separate delays and verb for each amp...and a whopping combined 15 watts from 3 speakers can sound like as massive as a pipe organ in a giant antient European cathedral! (The Fender Champ gets a old Roland Space echo tape delay right before it. :) )

Pictures to come.

Been listening to the Wood Brothers again lately. He plays a 60's T100d. Great stuff.

Glad to have found this little hidden world of Guild enthusiasts. I've always known their acoustics were highly reputable, but have always found myself being alone in my love for my hollowbody. Thrilled to know there are more of us out there!

Cheers, Dan (guitar pics to come...)
 

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Pics please!

I just had a couple of WGS G12Qs delivered. I've heard good things about these in low watt amps.
 

Midnight Toker

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I too have heard great things about those 12" for low wattage amps. I've seriously considered beefing up everything to 12" cabs...as the 10"'s while fine, just don't carry the beef you get w/ a 12", especially in a closed back enclosure. Was thinking about getting the Fender Bassbreaker 112 cab...but the speaker is made for upwards of 45 watts. That just wont break up like I'd want it to. I might just get a premade pine cab off ebay, wrap it in Fender tweed myself, and get one of those^ WGS's.;)

Here's the current (and majorly downsized) stable..

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Since all of my guitars are single coil...let me just say, the EHX Hum Debugger pedal is a must!! Especially when going through low watt single channel tube amps!! The signal goes...hum debugger, keeley comp, then radial a/b/y....then everything w/ an F goes to the Fender Champ w/ the Space Echo before it....everything w/ an M to the Marshall class 5. There's also a dual expression pedal that controls both the cock talk "talking wah/fuzz" and the Pitch Fork.


And sorry about the low quality pics....I'm not a "keeping up w/ the jones'" guy when it comes to phones/tablets...and am always 4-5 years behind the heard. Next weekend I'll charge up my good nikon camera and take some better pics of the guild. What really surprised...and greatly pleased me when refinishing it...the tight little mini pockets in the wood grain, no matter how much I sanded...still held micro remnants of the original cherry finish and adds bits of reddish hues under the greeen as you turn it under a light. W/ stage lights on it, it really looks impressive...green w/ yellow and reddish undertones. All purely accidental...in the best way imaginable.:giggle:
 
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Jeff Haddad

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Nice Guild, and welcome!

I tried one of those Hum Debuggers and it seems like it must filter out 60Hz to get rid of the hum. That's between Bb and B on the guitar so it was noticeable when (if) bending a Bb upwards, the signal pretty much disappeared as the note hit that frequency.
 

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^ I've never noticed any any signal drops anywhere on the fretboard with it. In normal mode it filters out the odd harmonics, in strong mode the even harmonics....and not simply just 60Hz. When doing my basement recordings, I find it invaluable. In a rock band setting, I could care less.;) If the snares on the drum kit can buzz, so can my guitar. Lol
 

Midnight Toker

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Here's a semi recent video of singer/guitarist and songwriting extraordinaire Oliver Wood (The Wood Brothers (w/ brother bassist Chris Wood from Medeski/Martin/Wood fame)...talking about his beloved Guild T100d and how the guitar came to play him as much as him playing the guitar. :geek: He also talks about feedback control and resorting to stuffing his tightly whitey underwear (or hotel washcloths) in the F hole to semi mute the full hollowbody resonance. Lol.



And here he is w/ the Wood Brothers doing a full performance of their great album The Muse.



Really great stuff, and I can totally relate to how this particular guitar changed my playing and didn't box me in the typically overrepresented Strat/Tele/LP field.

Enjoy
 
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Hi there Sam, Mojito, Dylan, M. Toker and everyone who has contributed to this very interesting thread! Apologies that I haven't been back sooner to thank you for the photos and the super helfpul info about T100D cases and pickups. As far as my T100D goes I found what I think is a 1970s MIJ thinline semi acoustic case, black with beige lining, fits it well and does the job.

It was especially interesting to read about Aaron Newman and find out about his role at Guild. This appears to fill in the gaps about the source of the pickups (middle photo p.32 of the Hans Moust book) that are on my T100D. What a great find!

Loved the interview with Oliver Wood and totally agree that small 4 or 5 watt amps are the way to go. I've got a little blue tolex Moody amp - parts inside date to 1960 - which is 3 watts max I reckon but the most perfect class A sound, similar to Oliver Wood and his Kay 703 in the video. For a while I have been looking for a blackface Champ and recently got a '66 which is a very cool match for the Guild. Will be back with some photos! Cheers guys, love your work.
 

hansmoust

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It was especially interesting to read about Aaron Newman and find out about his role at Guild. This appears to fill in the gaps about the source of the pickups (middle photo p.32 of the Hans Moust book) that are on my T100D.
No, that pickup was made with coils that were wound by Todd.

Sincerely,

Hans Moust
www.guitarsgalore.nl
 

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Yes, Aaron and crew were responsible for the anti-hum, not the Todd. Todd provided the amp transformers, most of the unmarked ones, I personally believe. I will check again when I get that particular project underway, but most of my fifties amps have no markings at all.
 
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