About Parlor guitars

JohnW63

Enlightened Member
Joined
Dec 11, 2012
Messages
6,327
Reaction score
2,241
Location
Southern California
Guild Total
4
Here is a video I stumbled on.



It opened my eyes on what parlors could sound like. I always assumed that would sound a bit thin and not sound very " rich " . All of the above sounded really good. It that because they are high end are mic'd well, are in a good room and played very nicely?

Does this match you experience with these small guitars?
 

GGJaguar

Reverential Member
Joined
Jan 17, 2011
Messages
21,880
Reaction score
32,225
Location
Skylands
Guild Total
50
Does this match you experience with these small guitars?
Yes and no. I love my Eastman E-20P. Its size runs on the upper end of what is considered a parlor guitar (it's more or less a Size 0 in Martin-speak). Like most parlor guitars it's a 12-fretter with a 24 3/4" scale. All solid woods with red spruce top certainly help. It's amazingly loud for it's size and has a rich sound. It's not boxy at all. Recording King and Blueridge also make all solid woods parlor models that sound really nice and are comparable to the Eastman in terms of sound, playability and price.

With that said, I have played plenty of parlor size guitars that sound boxy. That sound works for a lot of players, but not for me. I find that a lot of the boxiness comes from those models that have either all-laminated construction or laminated wood bodies with solid spruce tops. I also find mahogany bodies to be more boxy sounding than rosewood in this size guitar. But all solid woods and brand don't always mean the guitar will be great sounding. I played one (expensive!) Froggy Bottom parlor that I thought was just awful with a tight and constricted sound. On the other hand, most of the high end parlors I've played all sounded pretty darn good (but not thousands of dollars better than my Eastman). One last note - parlors are often are designed for fingerstyle playing so flat pickers need to play lightly to bring out the best in them.
 

AcornHouse

Venerated Member
Joined
May 22, 2011
Messages
10,320
Reaction score
7,546
Location
Bidwell, OH
Guild Total
21
I think the M-20 (and F-20) certainly qualify as parlors; certainly like Ian’s Martin. It’s sound is a rich as the bigger guitars, but with a little more clarity maybe. I think it works well recorded for certain songs, but more than many might think.

 

spoox

Member
Joined
Dec 3, 2014
Messages
734
Reaction score
1,503
I had a very nice early Washburn rosewood parlor that I traded in on my Dobro Model 76. A few years later I realized how much I missed it for songwriting
and kept reading about the Guild F-20, which eventually led me to LTG. The F-20 I finally got is one of the early maple bodied ones and is my favorite
acoustic for figuring out songs. Incredibly loud for such a small body.
 

bobouz

Senior Member
Joined
Jan 29, 2015
Messages
2,267
Reaction score
1,872
I love small-body guitars & have had many, but have found them to be soooo inconsistent, even from the same manufacturer - and regardless of price. Just gotta try them, find the good ones, & enjoy!
 

FNG

Enlightened Member
Joined
Feb 11, 2006
Messages
5,975
Reaction score
1,545
Location
Planet Earth
Guild Total
596
Bunch of videos of a guy playing slide on old Levin parlor guitars. Sounds pretty good!

 

rmoretti49

Member
Joined
Mar 28, 2022
Messages
117
Reaction score
79
Location
Chicago, Illinois
Guild Total
2
I will add another vote in favor of the Eastman E20P and the Blueridge BR-361. I have directly compared these two (I own the BR-361), and found them to be excellent in both tone and volume. I had a slight preference for the BR-361, and I suspect that is because the adirondack top on the Eastman needed time to open up, whereas the BR-361 was already 10 years old.

But I own other parlor-size range guitars as well. Of these, the 2 most impressive are the Breedlove Oregon Concertina (spruce over myrtlewood), and the Pono 0-15 (all mango wood). The Breedlove, in particular, has superior tone and surprising bass.
 

gjmalcyon

Senior Member
Gold Supporting
Joined
Feb 6, 2011
Messages
4,201
Reaction score
2,454
Location
Gloucester County, NJ
Guild Total
13
She Must Be Obeyed has her late mother's '51 Martin O-15 (one of 575 made that year). It's been back to the mothership in Nazareth a couple of times for repairs - pickguard crack, neck reset, new bridge. I am gob-smacked at how great this no-frills all-mahogany guitar sounds. It has none of the boxy quack I've always associated with small guitars. It sounds like a much larger instrument and is so comfortable to play.
 

tonepoet

Member
Gold Supporting
Joined
Jun 25, 2009
Messages
676
Reaction score
1,004
Location
California
Guild Total
26
I think the M-20 (and F-20) certainly qualify as parlors
+1 on the Guild M-20. My favorite acoustic. I agree on AcornHouse's remarks on the clarity of it. The highs sparkle and the bass tone is rich and warm. And also I find the M-20 to have great dynamics. When you strum lightly, it can get very soft. Whereas, on larger guitars, soft strumming is still pretty loud.
 
Top