Thanks very much. It was build for me by Michael Kerry in Mineola Texas. Here’s the whole 12-string acoustic family;
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WOW!!!!!!!!!!!!!!!!!!!!Thanks very much. It was build for me by Michael Kerry in Mineola Texas. Here’s the whole 12-string acoustic family;
Amazing!! You are single-handedly keeping the string manufacturers in business with that bunch.Here’s the whole 12-string acoustic family
That's the largest collection of 12-strings I've ever seen!Thanks very much. It was build for me by Michael Kerry in Mineola Texas. Here’s the whole 12-string acoustic family;
A girl I knew from New York took a job singing in SF. They were playing at The Matrix in 1967 so a bunch of us went to the Fillmore to visit some musicians we knew that were playing there. They invited us to come up and play so we did. I didn’t have a guitar so Tor Olson loaned me his F-312. After Tor passed, I was able to buy it. It’s the F-312 I have now.Do you mind sharing how you came to be playing at the Fillmore West in '67?
Back when koa was readily available, and not a valuable wood to be marketed, very few guitars were made of it. Sure, the Hawaiian craze produced a few, but generally, spruce was decided to be way better. These days we have multiple guitars and can own an ok guitar with great aesthetics. I'm really happy to have a D 35 with a koa wedge. As a tonewod, I find it way too bright. As decoration, I find it to be the nicest looking wood out there.
I would call them acquaintance, not really friends, but yes, Kay was the girl I knew from NYC.Were these your friends, RGSmith?