Koa Question

RGSmith265

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Thanks very much. It was build for me by Michael Kerry in Mineola Texas. Here’s the whole 12-string acoustic family;
9F5BCE03-471D-4521-A1F4-3302BE29643A.jpeg
 
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HeyMikey

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Amazing! Beautiful. Man, changing all those strings would be a full-time job. I have more than enough with two 12’ers.
 

RGSmith265

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It’s a chore for sure! But not as bad as before, I’ve sold 32 guitars in the last 4 months… down to 63. And I’ve got 12 more listed on Reverb now.
 

geoguy

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I've played a Guild F47KC (koa back & sides, with a spruce top).

I liked it.

I thought it had pleasantly bright treble sounds (not too bright or harsh), and very distinct bass notes. It lacked the chimey-overtones character of rosewood. I suppose somewhere between mahogany and maple, tone-wise.
 

banjomike

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Thanks very much. It was build for me by Michael Kerry in Mineola Texas. Here’s the whole 12-string acoustic family;
9F5BCE03-471D-4521-A1F4-3302BE29643A.jpeg
That's the largest collection of 12-strings I've ever seen!
Which is your favorite?
 

RGSmith265

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I don’t really have a favorite, but if I had to pick some, they would be the ‘64 F212 (my first, bought it ‘64), the ‘65 F-312 (played it at the old Fillmore in SF in ‘67) and the custom ‘72 F-512 (my dream guitar!)
 

RGSmith265

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Do you mind sharing how you came to be playing at the Fillmore West in '67?
A girl I knew from New York took a job singing in SF. They were playing at The Matrix in 1967 so a bunch of us went to the Fillmore to visit some musicians we knew that were playing there. They invited us to come up and play so we did. I didn’t have a guitar so Tor Olson loaned me his F-312. After Tor passed, I was able to buy it. It’s the F-312 I have now.
 

Br1ck

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Back when koa was readily available, and not a valuable wood to be marketed, very few guitars were made of it. Sure, the Hawaiian craze produced a few, but generally, spruce was decided to be way better. These days we have multiple guitars and can own an ok guitar with great aesthetics. I'm really happy to have a D 35 with a koa wedge. As a tonewod, I find it way too bright. As decoration, I find it to be the nicest looking wood out there.
 

richardp69

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Back when koa was readily available, and not a valuable wood to be marketed, very few guitars were made of it. Sure, the Hawaiian craze produced a few, but generally, spruce was decided to be way better. These days we have multiple guitars and can own an ok guitar with great aesthetics. I'm really happy to have a D 35 with a koa wedge. As a tonewod, I find it way too bright. As decoration, I find it to be the nicest looking wood out there.

Interesting. I don't find either of my KOA's or any I've owned in the past to be particularly bright. Of course, I also likely have a tine ear so.....
 

RGSmith265

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Rambozo96

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This is my 1994 Yairi DY71 that’s Koa back and sides. Laminated so I don’t know if that has a massive difference than if it were solid but Yairi does laminates different than most that apparently costs more to do than a solid piece… or so I have heard. As far as tone goes Koa seems subdued in a way that makes it good for finger style with an almost classical top end “zing” but with the voice of a steel string flat top.
 

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SFIV1967

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Now that Koa Ukuleles were mentioned, here is my all Koa one, not a good picture, just a quick one:

1676582662145.png 1676582875644.png

Embedded in the Kailua Beach sand rosette is the state motto "UA MAU KE EA O KA AINA I KA PONO" which means "The life of the land is perpetuated in righteousness".
It's the Concert size model, and I'm still searching for the Tenor one of that 50th State model... I was stupid not to buy it when it was offered to me back in 2011, I bought the Concert size one in Hawaii instead.

Ralf
 
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