What is it that draws you to Guild guitars?

Boomstick

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In my younger days, I always was partial to rosewood Martins. I just loved the bass of the guitars. For that matter, I still do.

As I got older and became a better player, I took a liking to my dad's maple F-50 (which a few years ago, he got setup and then gave to me). The guitar has rich mids, good highs and deep bass, can be played fingerstyle or picked heavy or anywhere in between and responds just as well. I've played a ton of guitars and I've only found a handful that might sound as good, and I might not even think that if I played them back to back in the same room. I've since played other jumbos as well, and none of them hold up. I guess I can say the SJ-200 is probably 3lbs lighter so it has that going for it,

Earlier this year, I told my dad I was considering an Epiphone Frontier as a "beater". It was cheap enough where if something happened, I'm not out that much, and I generally liked the way it sounded minus the fact that some of the higher strings thinned out up the neck, but not too bad where maybe the right strings was all it needed. So my dad gave me his G-37 as a beater. He had some really thick coated strings on it that killed the sound of the guitar a bit, but as soon as I got those off, I was really surprised how much I liked that guitar too.

Lately, I've been in the hunt for a mahogany or rosewood guitar to replace one that I sold that I just never liked all that much and could use the money to help fund pedal kayaks for next season while I look for what I want. There's a large number of guitars to choose from on the market of course, but something like a mahogany Guild dreadnaught (D-25, D-35, D-40) or F-40 really seems to be the most appealing to me. Maybe a D-50 or D-55 too, would be a great guitar to bring if I'm playing with someone else for lead work anyway. As someone once described their D-40 to me is it's the happy medium between a Gibson J-45s brighter sound and the definition of a Martin D-18, and I'd say that's pretty accurate.

I'd definitely love a Martin D-18, HD-28 or D-35 (I've found the latter two models respond best to my picking style), but the sound doesn't fit my usual playing style as much as Guilds. Taylors have nice electronics and ergonomics, but I haven't found one that sits quite right with my picking style. Every Gibson I've ever played thins out as you get up the neck, although I like how many of them sound down the neck. I've only played one Collings and it was real nice, but maybe a little too nice in sound. I've played some Goodall guitars I loved, but those are quite pricey too.

I'm not even trying to "fanboy" but I always end up coming back to Guilds. And that's ignoring the fact that many of the Westerly made guitars can still be had at very reasonable prices.
 
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Br1ck

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I just fell into Guild ownership. Found a 70 D 35 in need of a bunch of work at a dealer 20 years ago for $250, knowing I'd spend another thousand on it someday. When I got it fixed eight or nine years ago, I thought it a great deal overall though it was underwater. It has since become a guitar I have liked better the longer I've owned it. I have had friends who owned great 12 strings so the brand was familiar. The neck in particular is to me, perfect. Looking back, most guitars I've owned have just appeared in one way or another. I'm not an I'm going out to buy a guitar today kind of guy.

It would be the second to last guitar I'd ever sell, second only to my Santa Cruz D P/W mahogany.
 

davenumber2

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To me there's just a blue collar workingman's quality to them (older ones anyway, whether perceived or real) and I've always identified with that. It helps that I like the way they look, play and sound. They have their own unique thing going on that sets them apart from other American makers.
 

Sal

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Sentimental: my first good guitar was my ’78 Guild D25 bought new with money earned bagging groceries.

Practical: new or vintage, there are some very great Guilds to be found for good prices.

Image: you can’t play authentic outlaw or alternative music on a rich man’s guitar (slight kidding).
 
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tonepoet

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For me it was the warmth of the lower register and the sparkle of the upper register. A guild acoustic sounds different to me. Now, in a blind test of recordings I may not pick out a Guild. But, when I'm sitting playing live, the Guild sound is what I like.

About 30 years ago, I was in a Guitar Center store in San Francisco in their acoustic room trying guitars. I don't recall model numbers, but I thought the two best sounding were a Guild and a Gibson. The salesman asked if I was interested. I said yeah, what are the prices? He said "Fifteen ninety-five and Fifteen ninety-nine" I said "Wow, only a 4 cent difference, huh?" He didn't see the humor.

I said "OK, that's the MSRP but what is the store price." He said "Look, you give me 10%, just $159 and you're walking out of here with one of those guitars today". I got up and walked out of the store empty-handed. The guy just would not get away from the idea of me paying full price plus interest. It was his idea of a "deal".
 

Westerly Wood

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I also love the fact that Guild quality is superb for how much money we are paying for a particular acoustic guitar or electric.
$2000 can get me a lot of guitar with Guilds. $2000 cannot get me the same quality or tone with Martin or Taylor or Gibson. I need another $1k to match. IMHO of course.
 

WaltW

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My story is similar to Brick's. The shop that was suggested to me by a guy I worked with in 1980, was about 20 miles from where I lived. It was a little hole in the wall place that had guitars hanging from the ceiling. The owner was the only employee in the place and there was standing room for about 10 people and that was close proximity. His name was Frank and I became good friends with him over the years. So I asked him for a 12 string acoustic and he said he had 2 in the store. The first was a Yairi and the other was a Guild which is what I chose and have posted pics of here on numerous threads. Frank sold all of the merch in the store at 35% off no matter what it was. He told me that his margin what more than enough for him to make decent money esp. with low overhead and decent volume.. I watched him over the years buy instruments in bulk; one instance he bought 15 Doc Severinsen custom trumpets and move them out within about 8 weeks. He was a graduate of Julliard in the early 1940's. Frank's history, what I know of it, was a whos who of 40' and 50s big bands and night clubs.
So for me it was a matter of exposure and price; now it's like a part of me. If could have only one guitar, it would be that guild because I had only that for about 9 years and it was / is very satisfying to play. I've played and owned numerous Martins and a Gibson or two and I enjoy the Guilds the most.
 

silverfox103

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Probably the biggest thing that drew me to Guild's (Mark V 1982) is, it was American Made. Also contributing factors were 2. price, 3. reputation, 4. quality, and 5. they were made within an hour of me.

The previous guitar I had was a Chet Atkins nylon, I bought new in Loveland CO. I couldn't wait to get one, this is when they first came out. But, I disliked it quickly. It was very heavy, being a solid body guitar. I was taking lessons from a classical guitar teacher, started shopping for something new. It came down to a Guild Mark V ($900) or a Martin N10 ($2300)? Being a young 32, with a wife and 2 kids at the time, it was a no brainer. I couldn't justify $2300. Bought the Guild and have had at least one Mark since then, 41 years. Actually similar to many of us, I only had one Mark for about 28 years until I found the forum in 2010. Then it got out of hand for a while. Now I'm down to one Mark VI now.

Tom
 

Boomstick

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I also love the fact that Guild quality is superb for how much money we are paying for a particular acoustic guitar or electric.
$2000 can get me a lot of guitar with Guilds. $2000 cannot get me the same quality or tone with Martin or Taylor or Gibson. I need another $1k to match. IMHO of course.
I always find used D-40s for $850-1100, kind of hard to beat that value with any guitar on the market to be honest. I've seen G-37s listed for around the same as well.

I might argue that you can spend another $10k on a Gibson and might not get there in tone. Maybe the same from Taylor as well as the cheaper and more expensive models generally sound pretty darn close.
 

MLBob

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What drew me? I cannot tell a lie!
RichieattheCarnegie2.jpg

....and what I found out as a result continues to draw me to my Guilds to this very day.
 
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