My first Guild and only guitar for 7 years. I have to also throw my two '67 S-50s into the ring that have the same pickups. I really love myFor me it's the 1963-65 S-100 Polara with the "frequency tested" single coil pickups. The reason is that I prefer single coil pickups and the ones on the early Polara are killer. They chime, they can growl and it's a total rock n roll machine. Plus the guitar looks cool and is light weight. YMMV.
Nightbird GG, actually. But, I'm not certain that they qualify. If not, the mid-70s version of the S-100.The one currently in my hands.
But it's the Nightbird Custom.
Solid mahogany bodies. They are chambered.Are Nightbirds and Bluesbirds slabs of wood or are they sometimes chambered? If so does the distinction between solid and chambered matter to the OP?
Are Nightbirds and Bluesbirds slabs of wood or are they sometimes chambered? If so does the distinction between solid and chambered matter to the OP?
Man, that's a tough call. I have liked all the Guild solid bodies I've played. An interesting thing about the ones I have from the late 70s and 80s is that almost all of the bodies are one solid slab. Even a beat up black sparkle X-79 I stripped and refinished had a one-piece solid slab of poplar that I refinished natural with a cherry stain.Which model is the "best", however you define it?
Let's see if a consensus arises to one model for the same reasons.
My Nightingale is unmatched in many ways, I couldnt be happier with it. I certainly do not consider it a solid body guitar, however (even if it has a back door).
For a true solid body guitar (or SF 4/5/6)...I like the neck mounted at the 18th fret!!
For a 16 fretter the Nightingales and Nightbirds are absolutley top shelf (and my Carlo Greco Chief Star). But they are not solid bodies.
A telecaster, for me with Lace Sensor pickups, is the 16-fret solid body of choice. that is long scale however. I have my original Gibson Melody Maker/LPJ also (short scale solid body 16 fretter).
nothing feels like my S-50's or S-100. Sold my SG, LP Jr, a different melody maker...