OK this is driving me crazy - Do your strings touch the fretboard?

dreadnut

Gone But Not Forgotten
Gone But Not Forgotten
Joined
Jun 15, 2005
Messages
16,082
Reaction score
6,442
Location
Grand Rapids, MI
Guild Total
2
I have indents worn into my old D-25 rosewood fretboard where all the John Prine songs are, LOL. I'm assuming this will take longer to accomplish on my DV-52 ebony fretboard.
 

walrus

Reverential Member
Gold Supporting
Joined
Dec 23, 2006
Messages
24,025
Reaction score
8,113
Location
Massachusetts
I have pretty big divots in my D64 ebony fretboard, so I'm definitely pressing into the wood. Too hard, probably - I wish I had a lighter touch.

walrus
 

Drad Dog

Junior Member
Joined
Feb 24, 2015
Messages
41
Reaction score
0
I have pretty big divots in my D64 ebony fretboard, so I'm definitely pressing into the wood. Too hard, probably - I wish I had a lighter touch.

walrus

On the thread someone said that the wear is from the finger and it is between strings. I looked and can't tell on my guitar. The grime will make a pattern between the strings.
 

gjmalcyon

Senior Member
Gold Supporting
Joined
Feb 6, 2011
Messages
4,201
Reaction score
2,454
Location
Gloucester County, NJ
Guild Total
13
My 45-year old Yamaha FG-110 (my first and only guitar for about 40 of those years) looks like this. The indents, all in the "cowboy chord" positions, are between the strings.

 

fronobulax

Bassist, GAD and the Hot Mess Mods
Joined
May 3, 2007
Messages
24,756
Reaction score
8,889
Location
Central Virginia, USA
Guild Total
5
My opinion is worth very little but I have a co-worker who likes to tell me the latest state of the art ideas for shredders (guitar players, not office equipment) and is tech savvy enough to discuss how and why some work.

If the goal is to produce a note with the minimum of movement by the fretting hand, then the ideal is to press the string just enough to stop on the fret but no further. Pressing any further is in some sense unnecessary or wasted effort and the effort of lifting a finger that has hit the fretboard can cause a delay in reaching the next note. So if the goal is speed and movement efficiency then there is room for improvement if the finger hits the fretboard.

For some people with that goal, a scalloped fretboard is sometimes used because that makes it harder to touch the fingerboard while fretting a note.

All that said, it seems to me that touching the fingerboard is only a concern if you are striving for efficiency of movement or speed and that most acoustic players who focus on strumming and chords are not concerned with speed or efficiency.

Edit: It goes without saying that there are combinations of finger size, "fleshiness" and string gauge which will result in touching the fingerboard. But whether a specific individual notices that they do so, or not, or whether they do so or not have more to to with technique than anything else.
 
Last edited:

The Guilds of Grot

Enlightened Member
Joined
Oct 10, 2006
Messages
9,577
Reaction score
4,759
Location
New Jersey Shore
Guild Total
117
Fretboard wear is between the strings:

30289d1409550502-fender_strat_1956_cons_fingerboard_wear_1.jpg



Although, to truly never have the string hit the fretboard, (and for speed) is why they have scalloped fretboards:

Scalloped_fretboard.jpg
 

jthrel

Member
Joined
Oct 26, 2011
Messages
180
Reaction score
1
Location
Omaha, Nebraska, USA
The flesh of the fingertip will be indented as the guitar string is pressed. The nail of the finger will descend toward the fretboard as the tip deforms around the string. The greater the amount of flesh deformation, the further the fingernail descends - potentially contacting or digging into the fretboard. The fingernail contact can be minimized by developing callouses on the fingertips (calloused flesh creates more string-depressing force per unit of deformation) and by cutting the fingernails extremely short on the fretting hand.

Here is a picture of my 1972 D40-12 fretboard before it was reconditioned. I was told this guitar was played by a woman for many years prior to my acquisition. The divots in the fretboard fall between the strings where the fingernails would land.

D40-12.fretboard_zps9cu1lho7.jpg


Al
 

walrus

Reverential Member
Gold Supporting
Joined
Dec 23, 2006
Messages
24,025
Reaction score
8,113
Location
Massachusetts
I have very short fingernials on my fretting hand - it's not my fingernials. I do, however, press down when chording, etc. pretty aggressively - probably why I can't "shred"!

walrus
 

Westerly Wood

Venerated Member
Joined
Mar 21, 2007
Messages
13,426
Reaction score
6,625
Guild Total
2
My vote is for the string, not the finger nail.
 

Bikerdoc

Senior Member
Joined
Jul 17, 2007
Messages
2,504
Reaction score
37
Location
Wapakoneta, Ohio
I don't have any finger nails long enough to even pick my nose and given the condition of the fret board on a couple of my older guitars I have to go with string as well.
 

Westerly Wood

Venerated Member
Joined
Mar 21, 2007
Messages
13,426
Reaction score
6,625
Guild Total
2
well, I am changing my vote to Grot. pretty powerful evidence them photos there...i keep my fret hand fingernails short and they do not touch the board at all. maybe it was the bluegrass dude who owned the guitar for its first 41 years :)
 

Drad Dog

Junior Member
Joined
Feb 24, 2015
Messages
41
Reaction score
0
I agree that the wear is between the strings but the strings, if they touch the board, will remove grime from underneath as well. Which they seem to do, at least on my guitar. I still find it difficult to imagine not taking the string down to the board in playing, probably because of my strings, and playing preferences. This doesn't answer the question of how people bend with the string off the board. Could you stick a sheet of paper under your fretted note or chord? I couldn't come close.
 

Drad Dog

Junior Member
Joined
Feb 24, 2015
Messages
41
Reaction score
0
I guess I am really asking, not where the wear is, but: Do you perceive yourself to play without string touching wood? Do you try to do this? To a guitar teacher: is there a virtue in it as the "correct" way to play? It is scarcely mentioned in any resource I have looked at. Even a video telling you how to open the box and take it in your hand for the first time doesn't assume that it needs to say that.
DD
 

walrus

Reverential Member
Gold Supporting
Joined
Dec 23, 2006
Messages
24,025
Reaction score
8,113
Location
Massachusetts
DD, If that's what you are asking, I am answering the same way - I absolutely perceive myself to touch the fretboard wood, because I KNOW I do...

I've also never heard of not touching the wood as the "correct" way, except for particular techniques like "shredding".

walrus
 

Drad Dog

Junior Member
Joined
Feb 24, 2015
Messages
41
Reaction score
0
DD, If that's what you are asking, I am answering the same way - I absolutely perceive myself to touch the fretboard wood, because I KNOW I do...

I've also never heard of not touching the wood as the "correct" way, except for particular techniques like "shredding".

walrus

thanks Walrus. YOU are the walrus.
 

adorshki

Reverential Member
Joined
Aug 21, 2009
Messages
34,176
Reaction score
6,800
Location
Sillycon Valley CA
DD, If that's what you are asking, I am answering the same way - I absolutely perceive myself to touch the fretboard wood, because I KNOW I do...
I've also never heard of not touching the wood as the "correct" way.
walrus

ME neither, and you know what a stickler for ergonomics I am.. :biggrin-new:
I keep my nails pretty short too so my fretboard's divot-less (although yes it got re-planed by a few thousandths on the second fret job), but it's my frets that get all the wear.
Only takes me around 8 or 900 hours to get 'em looking like Jthrel's 12-string's frets.
 
Top